Film History.
概要
| 作品: | 211 作品在 54 項出版品 54 種語言 | |
|---|---|---|
書目資訊
Women, collective creation, and devised performance = the rise of women theatre artists in the twentieth and twenty-first centuries /
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The British official film in South-East Asia = Malaya/Malaysia, Singapore and Hong Kong /
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W.C. Fields from the Ziegfeld Follies and Broadway stage to the screen = becoming a character comedian /
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Domestic imaginaries = navigating the home in global literary and visual cultures /
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Visible and invisible whiteness = American white supremacy through the cinematic lens /
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Cecil B. DeMille, classical Hollywood, and modern American mass culture = 1910-1960 /
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The US-Mexico Border in American Cold War Film = Romance, Revolution, and Regulation /
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The Cognitive Impact of Television News = Production Attributes and Information Reception /
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Taking Fame to Market = On the Pre-History and Post-History of Hollywood Stardom /
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The Literary and Linguistic Construction of Obsessive-Compulsive Disorder = No Ordinary Doubt /
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Educational Institutions in Horror Film = A History of Mad Professors, Student Bodies, and Final Exams /
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The Search for Meaning in Film and Television = Disenchantment at the Turn of the Millennium /
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American Political Fictions = War on Errorism in Contemporary American Literature, Culture, and Politics /
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Women and Domestic Space in Contemporary Gothic Narratives = The House as Subject /
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The British Official Film in South-East Asia = Malaya/Malaysia, Singapore and Hong Kong /
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Memory in the Twenty-First Century = New Critical Perspectives from the Arts, Humanities, and Sciences /
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Return to Twin Peaks = New Approaches to Materiality, Theory, and Genre on Television /
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W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen = Becoming a Character Comedian /
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Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
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(書目-語言資料,印刷品)
Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture = 1910–1960 /
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Visible and Invisible Whiteness = American White Supremacy through the Cinematic Lens /
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Premodern Rulers and Postmodern Viewers = Gender, Sex, and Power in Popular Culture /
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In Search of Marie-Antoinette in the 1930s = Stefan Zweig, Irving Thalberg, and Norma Shearer /
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Filme über Vernichtung und Befreiung = Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 /
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Performative Figuren queerer Männlichkeit = Eine Mediengeschichte von Film und Kino in Deutschland bis 1945 /
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Charting Scottish Tourism and the Early Scenic Film = Access, Identity and Landscape /
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Kinematografie der Erinnerung = Band 1: Filme als kollektives Gedächtnis verstehen /
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Fernsehwissenschaft und Serienforschung = Theorie, Geschichte und Gegenwart (post-)televisueller Serialität /
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Generations of Jewish Directors and the Struggle for America’s Soul = Wyler, Lumet, and Spielberg /
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