Genre.
Overview
| Works: | 179 works in 63 publications in 63 languages | |
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Titles
The greatest comic book of all time = symbolic capital and the field of American comic books /
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Contemporary women's gothic fiction = carnival, hauntings and vampire kisses /
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The Shawshank experience = tracking the history of the world's favorite movie /
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Paradoxical japaneseness = cultural representation in twenty-first century japanese cinema /
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Plant horror = approaches to the monstrous vegetal in fiction and film /
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Transnational horror cinema = bodies of excess and the global grotesque /
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Humour as politics = the political aesthetics of contemporary comedy /
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Reassessing the Hitchcock touch = industry, collaboration, and filmmaking /
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Virtual weaponry = the militarized internet in hollywood war films /
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Hospitality, rape and consent in vampire popular culture = letting the wrong one in /
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Poison and poisoning in science, fiction and cinema = precarious identities /
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Genre trouble and extreme cinema = film theory at the fringes of contemporary art cinema /
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Alan Moore, out from the underground = cartooning, performance, and dissent /
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Victorian detectives in contemporary culture = beyond Sherlock Holmes /
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Contemporary cinema and 'old age' = gender and the silvering of stardom /
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Representing the eighteenth century in film and television, 2000-2015
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Religion and identity in the post-9/11 vampire = God Is (un)dead /
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National identity in 21st-century Cuban cinema = screening the repeating island /
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All too human = laughter, humor, and comedy in nineteenth-century philosophy /
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Televising restoration Spain = history and fiction in twenty-first-century costume dramas /
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The theological turn in contemporary Gothic fiction = holy ghosts /
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Action, detection and Shane Black = antiessentialist genre theory and its application /
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The postmillennial vampire = power, sacrifice and simulation in True blood, Twilight and other contemporary narratives /
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Global Melodrama = Nation, Body, and History in Contemporary Film /
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The US-Mexico Border in American Cold War Film = Romance, Revolution, and Regulation /
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The Revolting Child in Horror Cinema = Youth Rebellion and Queer Spectatorship /
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A History of 1970s Experimental Film = Britain's Decade of Diversity /
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Narco Cinema = Sex, Drugs, and Banda Music in Mexico’s B-Filmography /
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Screen Hustles, Grifts and Stings = Stings, Grifts, Hustles and the Long Con /
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Contemporary Women's Gothic Fiction = Carnival, Hauntings and Vampire Kisses /
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(Language materials, printed)
Plant Horror = Approaches to the Monstrous Vegetal in Fiction and Film /
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(Language materials, printed)
The Greatest Comic Book of All Time = Symbolic Capital and the Field of American Comic Books /
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(Language materials, printed)
The Shawshank Experience = Tracking the History of the World’s Favorite Movie /
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Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism
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Paradoxical Japaneseness = Cultural Representation in 21st Century Japanese Cinema /
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Transnational Horror Cinema = Bodies of Excess and the Global Grotesque /
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Screen Adaptations and the Politics of Childhood = Transforming Children's Literature into Film /
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All Too Human = Laughter, Humor, and Comedy in Nineteenth-Century Philosophy /
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Action, Detection and Shane Black = Antiessentialist Genre Theory and Its Application /
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(Language materials, printed)
Televising Restoration Spain = History and Fiction in Twenty-First-Century Costume Dramas /
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(Language materials, printed)
National Identity in 21st-Century Cuban Cinema = Screening the Repeating Island /
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(Language materials, printed)
The Theological Turn in Contemporary Gothic Fiction = Holy Ghosts /
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(Language materials, printed)
Religion and Identity in the Post-9/11 Vampire = God Is (Un)Dead /
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(Language materials, printed)
Age of the Geek = Depictions of Nerds and Geeks in Popular Media /
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Mensch, Maschine, Maschinenmenschen = Multidisziplinäre Perspektiven auf die Serie Westworld /
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Hong Kong Dark Cinema = Film Noir, Re-conceptions, and Reflexivity /
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Humor und erfolgreiche Kinderfilme = Strukturen und Relevanz eines filmischen Mittels /
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Transmediating the Whedonverse(s) = Essays on Texts, Paratexts, and Metatexts /
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Theorizing Stupid Media = De-Naturalizing Story Structures in the Cinematic, Televisual, and Videogames /
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Policing the World on Screen = American Mythologies and Hollywood's Rogue Crimefighters /
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Actor-Network Theory at the Movies = Reassembling the Contemporary American Teen Film With Latour /
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Discourse Markers and Beyond = Descriptive and Critical Perspectives on Discourse-Pragmatic Devices across Genres and Languages /
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Phraseology and Style in Subgenres of the Novel = A Synthesis of Corpus and Literary Perspectives /
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Linked Noun Groups = Opposition and Expansion as Genre and Style Markers /
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The Forest and the EcoGothic = The Deep Dark Woods in the Popular Imagination /
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Teen TV = Repräsentationen, Lesarten und Produktionsweisen aktueller Jugendserien /
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European Cinema in the Twenty-First Century = Discourses, Directions and Genres /
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Kinematografie der Erinnerung = Band 1: Filme als kollektives Gedächtnis verstehen /
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Academic Literacy Development = Perspectives on Multilingual Scholars' Approaches to Writing /
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Kinematografie der Erinnerung = Band 2: Den Zweiten Weltkrieg erzählen /
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Discourses of Home and Homeland in Irish Children’s Fiction 1990-2012 = Writing Home /
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Heightened Genre and Women's Filmmaking in Hollywood = The Rise of the Cine-fille /
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Genre und Race = Mediale Interdependenzen von Ästhetik und Politik /
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The Histories of Koryo : = Their Production, Circulation, and Reception from the Choson Dynasty to the Present.
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Understanding Video Game Developer Intention Versus Outcome as it Pertains to Audience Experience with Game Narrative.
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Second/Foreign Language Learners and Narrative Film Comprehension : = An Intercultural Reception Study.
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Domestic Terrorisms : = Genre, Violence, and Family Life in the Contemporary British Novel.
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Drip or Drop : = Evidence on State Dependence and Consumption Constraints from TV Streaming.
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Representation of the National Trauma in Train to Busan : = Based on a Semiotic Approach.
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The Malady Lingers on : = The Abject and Contemporary Asian Horror Cinema.
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Material Witness : = Occult Affects in the Mystery Fiction of the Fin de Siecle.
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Re-Imagining the Research Article : = Participation, Dialogue and the Radical Potential of an 'Ecology of Knowledges'.
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Inferring Social Structure From Digital Trace Data : = Applications to Organizations and Markets.
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