Museum studies.

Dr. Arthur Caswell Parker and His Impact on the Rochester Museum of Arts and Sciences and Native Americans. by: (Language materials, manuscript)

Competing Discourses, Developing Partnerships : = Navigating Differences Between Ethnographic Museums and Tribal Museums. by: (Language materials, manuscript)

Towards an Indigenous Museology : = Native American and First Nations Representation and Voice in North American Museums. by: (Language materials, manuscript)

History in Your Hand : = Design Elements to Enhance Adoption of a Mobile Multimedia Historical Tour. by: (Language materials, manuscript)

Conservation of a Han-Chinese woman's skirt panel from the late nineteenth to early twentieth century. by: (Language materials, manuscript)

Materials at the Corcoran Contemporary An Exhibition Design Proposal Connecting Audience to Art through the Experience of Materials. by: (Language materials, manuscript)

Museums without Walls : = Smarthistory and the Google Art Project---A Mission Possible Prophecy. by: (Language materials, manuscript)

Exploring Sculpture Conservation in Seattle. by: (Language materials, manuscript)

Museums of the present day : = Contemporary abandoned spaces. by: (Language materials, manuscript)

The socially inclusive role of curatorial voice : = A qualitative comparative study of the use of gatekeeping mechanisms and the co-creation of identity in museums. by: (Language materials, manuscript)

Objects of Veneration : = Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930. by: (Language materials, manuscript)

Engaging, Educating, and Evolving : = A Case Study of Three Art Museums in Arizona. by: (Language materials, manuscript)

On View : = Museum Culture in the Victorian Novel. by: (Language materials, manuscript)

Learning as change : = Responding to socio-scientific issues through informal education. by: (Language materials, manuscript)

Designing for family learning in museums : = How framing, joint attention, conversation, and togetherness are at play. by: (Language materials, manuscript)

Connect/Create : = A Case Study of Choice-Based Resources at the University of Arizona Museum of Art. by: (Language materials, manuscript)

Collecting Our Culture Telling the Story of Museum Collections While Exploring Object Focused Exhibitions. by: (Language materials, manuscript)

Public art in New York City's subway stations : = An overview of the MTA's experiences in dealing with public art and its implications for public art development in the Taipei rapid transit system. by: (Language materials, manuscript)

How Can American Museums Use WeChat as a Tool to Reach Chinese Audiences? by: (Language materials, manuscript)

How Accessible Are You? The Need for the Effective Communication of Accessibility at Museums. by: (Language materials, manuscript)

Case Study of the Columbus Museum of Art's Teaching for Creativity Summer Institute. by: (Language materials, manuscript)

Immersive Media in Museums and Museum Education. by: (Language materials, manuscript)

Young Adults and Nonprofit Arts and Culture Organizations : = A Generational Change Analysis. by: (Language materials, manuscript)

Bauhaus Body and Movement : = Exploring the Triadic Ballet. by: (Language materials, manuscript)

Developing and Experiencing Visitor-Centered Exhibitions with the Supported Interpretation (SI) Model : = A Double Case Study. by: (Language materials, manuscript)

Designing for Creativity, Collaboration, and Problem-Solving in Family Art-Making Programs at Art Museums. by: (Language materials, manuscript)

Branding the North Carolina Museum of Art : = Planning and implementing a public identity. by: (Language materials, manuscript)

Interactive E-book Experiences in a Children's Museum : = Discovery of Family Interactions. by: (Language materials, manuscript)

Engaging Spaces, Engaged Audiences : = The Socio-Spatial Context of Cultural Experiences in Art Galleries and Art Museums. by: (Language materials, manuscript)

Care and Preservation of Cultural Heritage : = Bridging the Fields of Conservation and Collections Management. by: (Language materials, manuscript)

Cultivating Creativity : = Understanding Visitor Perceptions of Creativity in Art Museum Exhibits. by: (Language materials, manuscript)

Sites of New Media Art : = Using the Internet to Explore Touch, Sociality, and Preservation. by: (Language materials, manuscript)

Youth Self-efficacy and the Art Museum Open Studio. by: (Language materials, manuscript)

Sourcing Freedom : = Teaching About the History of Religious Freedom in Public Schools. by: (Language materials, manuscript)

These Ways of Working : = Reflections on the Collaborative Nature of Staff Roles in Creating Space in Art Museums. by: (Language materials, manuscript)

An Evolving Experiment in Community Engagement : = The Philippine Co-curation Partnership at the Field Museum. by: (Language materials, manuscript)

Caravaggio : = Perception Shifts Through Selected Twentieth- and Twenty-first Century Museum Exhibitions. by: (Language materials, manuscript)

Public Engagement with Critical Exhibitions : = Insights from a Brazilian and a Canadian Science Museum = Engajamento do publico com exposicoes de ciencia criticas: Contribuicoes de um museu de ciencias em Brasil e em Canada. by: (Language materials, manuscript)

Me lan o cyte : = Skin Cells and the African American Experience. by: (Language materials, manuscript)

A Study of New York City Museum Programs Specific to Seniors. by: (Language materials, manuscript)

Revelation of Obscurity in an Empire : = Reinterpreting "Outsider Art" as a Preservation Tool in a Rural Alabama Cultural Heritage Site, Museum of Wonder. by: (Language materials, manuscript)

What about Us? Inclusivity, Community, and the Future of Sustainability in African-American Museums. by: (Language materials, manuscript)

From Spectator to Participant : = Artist Commentary on Museum Experience. by: (Language materials, manuscript)

1916 Easter Rising : = Public Memory, Commemoration, Celebration. by: (Language materials, manuscript)

Preserving Cultural Heritage in Minya, Egypt. by: (Language materials, manuscript)

Un-Disciplining the Art Museum : = Museum Educators, Institutional Structures, and Processes of Change. by: (Language materials, manuscript)

Fighting against Indigenous Stereotypes and Invisibility : = Gregg Deal's Use of Humor and Irony. by: (Language materials, manuscript)

Akan Gold Weights : = Values Perspectives of a Non-western Cultural Artifact. by: (Language materials, manuscript)

Looking through the Trees : = An Anthropologist, a Museum, and the Sasquatch. by: (Language materials, manuscript)

Treasures and Splendors : = Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020. by: (Language materials, manuscript)

Digitizing Conservation : = Incorporating Digital Technologies to the Reconstruction and Loss Compensation of Archaeological Ceramics. by: (Language materials, manuscript)

The Radical Potential of the Wunderkammer in Contemporary Museum and Exhibition Practice. by: (Language materials, manuscript)

How a Successful Collecting Society Can Transform an Art Museum : = A History of the Georgia Welles Apollo Society at the Toledo Museum of Art. by: (Language materials, manuscript)

The Museum as a Method of Political Control and Intervention : = The Expansion of Palace Museums in East Asia and the Hong Kong Palace Museum. by: (Language materials, manuscript)

In the New Body : = Simone Forti's Dance Constructions (1960-61) and Their Acquisition by the Museum of Modern Art (MOMA). by: (Language materials, manuscript)

The Photographic Imperative : = Picture-Taking, Camerawork, and the Lives of Philippine Images. by: (Language materials, manuscript)

Is Drawing with Oil Pastels More Relaxing than Drawing on a Tablet? A Comparison of Autonomic Nervous System Measures, the Undo Function, Experience Reports and Drawings of Participants Making Art After Stress = = האם שימוש בצבעי פנדה מרגיע יותר מאשר ציור על טאבלט?: השוואת המדדים של מערכת העצבים האוטונומית, האפשרות לביטול-פעולה שאלוני חוויה וציורים של נבדקים היוצרים אומנות לאחר לחץ. by: (Language materials, manuscript)

Putting It All Together : = How Social Media Marketing Impacts Exhibition Choices and Visitor Attendance in Midwest Art Museums. by: (Language materials, manuscript)

"Fighting A Losing Battle" : = The Influence of World War I on the Masculinization of Modern Women's Fashions in the 1920s. by: (Language materials, manuscript)

Slow Space : = Reifying Time to Renew the Interior as Cultural Register. by: (Language materials, manuscript)

Curating the Everyday : = Taking Care in Exhibitions. by: (Language materials, manuscript)

Bolting the Landscape : = An Ethnography of Yosemite as a Significant Climbing Destination. by: (Language materials, manuscript)

Textiles : = Tactile and Dynamic Display Practices in Museums. by: (Language materials, manuscript)

Playing in a Painful Past : = Interpreting Slavery in Leisure Landscapes at Plantation Museums in North Carolina. by: (Language materials, manuscript)

Ask An Interpreter : = An Exploratory Study of the Emotional Labor of Interpreting Slavery at Historical Sites in the United States. by: (Language materials, manuscript)

Resisting Narrative : = Artistic Research, Narrativity and the Constraints of Academia. by: (Language materials, manuscript)

Momentaufnahmen : = Building a Feminist Method of Contemporary Fashion Analysis Through the Translation of Helen Grund's Texts. by: (Language materials, manuscript)

Gamers in the Museum : = A Redesign of Museum Education for the Next Level Visitor. by: (Language materials, manuscript)

Horror, Not Just Horrible : = A Reconsideration of the Thematic Unity of Monsters in the Beowulf-Manuscript Through the Lens of Horror. by: (Language materials, manuscript)

Invisible Hands : = The Ethnic Chinese Influence on the Development of Southeast Asian Contemporary Art from 1990 to 2022. by: (Language materials, manuscript)

Constructing Perception-Using What We Know to Make Sense of What We See : = Implicit Effects of Presentation on Perceptions of Abstract and Representational Art. by: (Language materials, manuscript)

Lessons from Community-Based Participatory Archaeology : = Creating a Model for a More Collaborative Museum Space. by: (Language materials, manuscript)

Decolonizing at a Distance : = A Textual Analysis of Four Archaeological Museums in Ohio. by: (Language materials, manuscript)

"Artifacts of Stone and Pottery" : = An Analysis of the Linn Site (IAS U-28) Collection at the Milwaukee Public Museum. by: (Language materials, manuscript)

Fashion as Medium : = Clothing in Contemporary Art. by: (Language materials, manuscript)

Up Against the Wall : = a Journey in Culture, from Resistant to Dynamic, Encountering the Limit in the Process. by: (Language materials, manuscript)

Art Through a Digital Lens : = A Study of the Effects of New Medias on the Museum, Its Works, and the Public. by: (Language materials, manuscript)

Digital Reproduction : = The Degradation of Art Viewership. by: (Language materials, manuscript)

Queering the Museum : = Utopian Futurity in Contemporary Exhibitions. by: (Language materials, manuscript)

Family Support to Multilingual Children's Learning Through Science Talk and Interactions in a Science Museum. by: (Language materials, manuscript)

Street Performance in the Making of Global Cultural City Taipei - Licensing, Navigation, Atmosphere. by: (Language materials, manuscript)

Postmodern Education for Children in Contemporary Art Museums : = A China-Us Context Study. by: (Language materials, manuscript)

Increasing Underrepresented Students in STEM Fields Using Informal Science Education. by: (Language materials, manuscript)

"I Paint People to Learn to Know Them" : = Issues of Identity in Suzanne Valadon's Depictions of the Female Nude. by: (Language materials, manuscript)

Effects of Engagements and Presentation Order in Informal Science Presentations. by: (Language materials, manuscript)

Queer Visual Culture in Nineteenth-Century Paris : = Intersex, Genderqueer, and Lesbian Representations in the Archives. by: (Language materials, manuscript)

How Can Art Practice Provide a Rebalancing and Re-Evaluation of the Canonic Legacy of Kurt Schwitters? by: (Language materials, manuscript)

Touching the Past : = Developing and Evaluating Tangible AR Interfaces for Manipulating Virtual Representations of Historical Artefacts. by: (Language materials, manuscript)

Galaxies Like Islands, Islands Like Galaxies : = Envisioning Futurity in Seascape Technologies. by: (Language materials, manuscript)

Poster, Performed : = Understanding Public Opinions of Authorship in Generative Artificial Intelligence Models via Analogy. by: (Language materials, manuscript)

Material World. by: (Language materials, manuscript)

War and Terror in Leningrad : = The Museum of the Defense of Leningrad and War Commemoration Under Stalin. by: (Language materials, manuscript)

Documenting Immigration Detention in Greece : = A Continuum of Extreme Violence and Complicity. by: (Language materials, manuscript)

Being Present for the Embrace : = A Phenomenological Study of Mindfulness in an Art Museum. by: (Language materials, manuscript)

Making and Remaking the Ethnic Museum : = Governmentality, City-Building, and Ethnicity at the Japanese American National Museum, La Plaza De Cultura y Artes, and the Chinese American Museum. by: (Language materials, manuscript)

What's in Lisbon? Art Museums, Art Dealers, and Refugees in Portugal Between 1933 and 1945. by: (Language materials, manuscript)

Pergamon's Athena Parthenos : = Questions of Greek Identity and the Impact of Ancient and Modern Display. by: (Language materials, manuscript)

Cultural Translation and Museum Exhibitions : = A Case Study of Modern Korean Art at the Los Angeles County Museum of Art. by: (Language materials, manuscript)

Crafting Marriage in Afterlife : = Art, Gender, and Power in Tang China, 618-907 C.E. by: (Language materials, manuscript)

The Art of Education for Memory, Empathy, and Healing in Our Built Environment. by: (Language materials, manuscript)

"More Than Aesthetics' : = A Historical Trajectory of Tibetan Art Acquisition, Exhibition Narratives, and Artistic Partnerships in Anglo-Western Museums Since 1904. by: (Language materials, manuscript)

Sound in Art : = Museum Audio in the Age of Ubiquitous Music. by: (Language materials, manuscript)

Staying Gold : = Art Education Programming as Model for Queering the Museum Beyond Representation. by: (Language materials, manuscript)

The Perceptions and Practices of Informal Science Educators Regarding Culturally Relevant Education in Science Centers. by: (Language materials, manuscript)

Building Collective Emotional Resilience for Antiracism in Museums. by: (Language materials, manuscript)