Museum studies.
概要
作品: | 115 作品在 0 項出版品 0 種語言 |
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書目資訊
The Perceptions and Practices of Informal Science Educators Regarding Culturally Relevant Education in Science Centers.
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Staying Gold : = Art Education Programming as Model for Queering the Museum Beyond Representation.
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Crafting Marriage in Afterlife : = Art, Gender, and Power in Tang China, 618-907 C.E.
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What's in Lisbon? Art Museums, Art Dealers, and Refugees in Portugal Between 1933 and 1945.
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Cultural Translation and Museum Exhibitions : = A Case Study of Modern Korean Art at the Los Angeles County Museum of Art.
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Pergamon's Athena Parthenos : = Questions of Greek Identity and the Impact of Ancient and Modern Display.
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Being Present for the Embrace : = A Phenomenological Study of Mindfulness in an Art Museum.
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Documenting Immigration Detention in Greece : = A Continuum of Extreme Violence and Complicity.
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War and Terror in Leningrad : = The Museum of the Defense of Leningrad and War Commemoration Under Stalin.
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Poster, Performed : = Understanding Public Opinions of Authorship in Generative Artificial Intelligence Models via Analogy.
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Galaxies Like Islands, Islands Like Galaxies : = Envisioning Futurity in Seascape Technologies.
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Touching the Past : = Developing and Evaluating Tangible AR Interfaces for Manipulating Virtual Representations of Historical Artefacts.
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Queer Visual Culture in Nineteenth-Century Paris : = Intersex, Genderqueer, and Lesbian Representations in the Archives.
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How Can Art Practice Provide a Rebalancing and Re-Evaluation of the Canonic Legacy of Kurt Schwitters?
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"I Paint People to Learn to Know Them" : = Issues of Identity in Suzanne Valadon's Depictions of the Female Nude.
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Increasing Underrepresented Students in STEM Fields Using Informal Science Education.
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Postmodern Education for Children in Contemporary Art Museums : = A China-Us Context Study.
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Street Performance in the Making of Global Cultural City Taipei - Licensing, Navigation, Atmosphere.
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Family Support to Multilingual Children's Learning Through Science Talk and Interactions in a Science Museum.
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Art Through a Digital Lens : = A Study of the Effects of New Medias on the Museum, Its Works, and the Public.
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Up Against the Wall : = a Journey in Culture, from Resistant to Dynamic, Encountering the Limit in the Process.
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"Artifacts of Stone and Pottery" : = An Analysis of the Linn Site (IAS U-28) Collection at the Milwaukee Public Museum.
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Decolonizing at a Distance : = A Textual Analysis of Four Archaeological Museums in Ohio.
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Lessons from Community-Based Participatory Archaeology : = Creating a Model for a More Collaborative Museum Space.
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Invisible Hands : = The Ethnic Chinese Influence on the Development of Southeast Asian Contemporary Art from 1990 to 2022.
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Horror, Not Just Horrible : = A Reconsideration of the Thematic Unity of Monsters in the Beowulf-Manuscript Through the Lens of Horror.
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Gamers in the Museum : = A Redesign of Museum Education for the Next Level Visitor.
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Momentaufnahmen : = Building a Feminist Method of Contemporary Fashion Analysis Through the Translation of Helen Grund's Texts.
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Resisting Narrative : = Artistic Research, Narrativity and the Constraints of Academia.
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Ask An Interpreter : = An Exploratory Study of the Emotional Labor of Interpreting Slavery at Historical Sites in the United States.
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Playing in a Painful Past : = Interpreting Slavery in Leisure Landscapes at Plantation Museums in North Carolina.
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Bolting the Landscape : = An Ethnography of Yosemite as a Significant Climbing Destination.
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"Fighting A Losing Battle" : = The Influence of World War I on the Masculinization of Modern Women's Fashions in the 1920s.
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Putting It All Together : = How Social Media Marketing Impacts Exhibition Choices and Visitor Attendance in Midwest Art Museums.
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The Photographic Imperative : = Picture-Taking, Camerawork, and the Lives of Philippine Images.
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Narratives of Elsewhere and In-Between : = Refugee Audiences, Edu-Curators, and the Boundary Event in Art Museums.
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Applying User Experience (UX) Design in Interior Space for Art, Science Museums, and Learning Environments.
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Skin Deep : = African American Women and the Building of Beauty Culture in South Carolina.
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Pushing the Needle : = Collections Based Museum and Source Community Collaborations.
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Redefining and "Re-Presenting" Native American Collections and Curatorial Practice.
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The Next Dimension of Representation : = The Role of Photogrammetric 3D Modeling in Digital Heritage Preservation of Indigenous Material Culture.
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Dr. Arthur Caswell Parker and His Impact on the Rochester Museum of Arts and Sciences and Native Americans.
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Competing Discourses, Developing Partnerships : = Navigating Differences Between Ethnographic Museums and Tribal Museums.
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Towards an Indigenous Museology : = Native American and First Nations Representation and Voice in North American Museums.
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History in Your Hand : = Design Elements to Enhance Adoption of a Mobile Multimedia Historical Tour.
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Conservation of a Han-Chinese woman's skirt panel from the late nineteenth to early twentieth century.
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Materials at the Corcoran Contemporary An Exhibition Design Proposal Connecting Audience to Art through the Experience of Materials.
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Museums without Walls : = Smarthistory and the Google Art Project---A Mission Possible Prophecy.
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Objects of Veneration : = Music and Materiality in the Composer-Cults of Germany and Austria, 1870-1930.
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Engaging, Educating, and Evolving : = A Case Study of Three Art Museums in Arizona.
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Learning as change : = Responding to socio-scientific issues through informal education.
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Designing for family learning in museums : = How framing, joint attention, conversation, and togetherness are at play.
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Connect/Create : = A Case Study of Choice-Based Resources at the University of Arizona Museum of Art.
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Collecting Our Culture Telling the Story of Museum Collections While Exploring Object Focused Exhibitions.
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How Accessible Are You? The Need for the Effective Communication of Accessibility at Museums.
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Case Study of the Columbus Museum of Art's Teaching for Creativity Summer Institute.
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Young Adults and Nonprofit Arts and Culture Organizations : = A Generational Change Analysis.
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Developing and Experiencing Visitor-Centered Exhibitions with the Supported Interpretation (SI) Model : = A Double Case Study.
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Designing for Creativity, Collaboration, and Problem-Solving in Family Art-Making Programs at Art Museums.
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Branding the North Carolina Museum of Art : = Planning and implementing a public identity.
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Interactive E-book Experiences in a Children's Museum : = Discovery of Family Interactions.
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Engaging Spaces, Engaged Audiences : = The Socio-Spatial Context of Cultural Experiences in Art Galleries and Art Museums.
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Care and Preservation of Cultural Heritage : = Bridging the Fields of Conservation and Collections Management.
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Cultivating Creativity : = Understanding Visitor Perceptions of Creativity in Art Museum Exhibits.
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Sites of New Media Art : = Using the Internet to Explore Touch, Sociality, and Preservation.
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Sourcing Freedom : = Teaching About the History of Religious Freedom in Public Schools.
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These Ways of Working : = Reflections on the Collaborative Nature of Staff Roles in Creating Space in Art Museums.
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An Evolving Experiment in Community Engagement : = The Philippine Co-curation Partnership at the Field Museum.
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Caravaggio : = Perception Shifts Through Selected Twentieth- and Twenty-first Century Museum Exhibitions.
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What about Us? Inclusivity, Community, and the Future of Sustainability in African-American Museums.
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Un-Disciplining the Art Museum : = Museum Educators, Institutional Structures, and Processes of Change.
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Fighting against Indigenous Stereotypes and Invisibility : = Gregg Deal's Use of Humor and Irony.
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Treasures and Splendors : = Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020.
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Digitizing Conservation : = Incorporating Digital Technologies to the Reconstruction and Loss Compensation of Archaeological Ceramics.
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The Radical Potential of the Wunderkammer in Contemporary Museum and Exhibition Practice.
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How a Successful Collecting Society Can Transform an Art Museum : = A History of the Georgia Welles Apollo Society at the Toledo Museum of Art.
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