Film Theory.

Craziness and Carnival in Neo-Noir Chinese Cinema by: (Language materials, printed)

Pure Fatherhood and the Hollywood Family Film by: (Language materials, printed)

New Media and the Artaud Effect by: (Language materials, printed)

Animating Unpredictable Effects = Nonlinearity in Hollywood’s R&D Complex / by: (Language materials, printed)

Cinematic Histospheres = On the Theory and Practice of Historical Films / by: (Language materials, printed)

Emotional Ethics of The Hunger Games by: (Language materials, printed)

Žižek through Hitchcock by: (Language materials, printed)

Comparative Cinema = Late and Last Things in Literature and Film / by: (Language materials, printed)

Mapping Precarity in Contemporary Cinema and Television = Chronotopes of Anxiety, Depression, Expulsion/Extinction / by: (Language materials, printed)

Gothic Cinema = Eine Einführung / by: (Language materials, printed)

Ambiguity and Film Criticism = Reasonable Doubt / by: (Language materials, printed)

Shakespeare's Storytelling = An Introduction to Genre, Character, and Technique / by: (Language materials, printed)

Kinematografie der Erinnerung = Band 2: Den Zweiten Weltkrieg erzählen / by: (Language materials, printed)

Craziness and Carnival in Neo-Noir Chinese Cinema by: (Language materials, printed)

The Psychoanalysis of Artificial Intelligence by: (Language materials, printed)

Lacanian Perspectives on Blade Runner 2049 by: (Language materials, printed)

Pure Fatherhood and the Hollywood Family Film by: (Language materials, printed)

Reorienting Chinese Stars in Global Polyphonic Networks = Voice, Ethnicity, Power / by: (Language materials, printed)

Cinemas Dark and Slow in Digital India by: (Language materials, printed)

Künstlerische Verfahren des Films aus psychologischer Sicht = Zum Wirkungspotenzial des Spielfilms / by: (Language materials, printed)

Handbuch Filmgenre = Geschichte – Ästhetik – Theorie / by: (Language materials, printed)

Explorations in Cinema through Classical Indian Theories = New Interpretations of Meaning, Aesthetics, and Art / by: (Language materials, printed)

Kinematografie der Erinnerung = Band 1: Filme als kollektives Gedächtnis verstehen / by: (Language materials, printed)

Gott in Serie = Theologische Rezeption populärer Narrationen / by: (Language materials, printed)

European Cinema in the Twenty-First Century = Discourses, Directions and Genres / by: (Language materials, printed)

The Spy who impressed me = Zur kollektiven Wirkung und kulturellen Bedeutung von James Bond-Filmen / by: (Language materials, printed)

Chinese Culture in the 21st Century and its Global Dimensions = Comparative and Interdisciplinary Perspectives / by: (Language materials, printed)

The Structure of Complex Images by: (Language materials, printed)

Performative Figuren queerer Männlichkeit = Eine Mediengeschichte von Film und Kino in Deutschland bis 1945 / by: (Language materials, printed)

Endings in the Cinema = Thresholds, Water and the Beach / by: (Language materials, printed)

The Maternal Imagination of Film and Film Theory by: (Language materials, printed)

Final Girls, Feminism and Popular Culture by: (Language materials, printed)

Cinema of the Arab World = Contemporary Directions in Theory and Practice / by: (Language materials, printed)

Affirmative Aesthetics and Wilful Women = Gender, Space and Mobility in Contemporary Cinema / by: (Language materials, printed)

Mise en scène, Acting, and Space in Comics by: (Language materials, printed)

Interpretation and Film Studies = Movie Made Meanings / by: (Language materials, printed)

Quentin Tarantino and Film Theory = Aesthetics and Dialectics in Late Postmodernity / by: (Language materials, printed)

Queer girls, temporality and screen media = not 'Just a Phase' / by: (Language materials, printed)

Philosophy and the patience of film in Cavell and Nancy by: (Language materials, printed)

Lasting screen stars = images that fade and personas that endure / by: (Language materials, printed)

Urban film and everyday practice = bridging divisions in Johannesburg / by: (Language materials, printed)

Magical thinking, fantastic film, and the illusions of neoliberalism by: (Language materials, printed)

Pixar's America = the re-animation of American myths and symbols / by: (Language materials, printed)

Hollywood in crisis or = the collapse of the real / by: (Language materials, printed)

Memory, forgetting and the moving image by: (Language materials, printed)

Screening the sixties = Hollywood cinema and the politics of memory / by: (Language materials, printed)

Expressive spaces in digital 3D cinema by: (Language materials, printed)

Hybrid practices in moving image design = methods of heritage and digital production in motion graphics / by: (Language materials, printed)

Screening the tortured body = the cinema as scaffold / by: (Language materials, printed)

Contemporary women's gothic fiction = carnival, hauntings and vampire kisses / by: (Language materials, printed)

The state of post-cinema = tracing the moving image in the age of digital dissemination / by: (Language materials, printed)

The Shawshank experience = tracking the history of the world's favorite movie / by: (Language materials, printed)

Feeling film = a spatial approach / by: (Language materials, printed)

Film and the ethical imagination by: (Language materials, printed)

Tragic time in drama, film, and videogames = the future in the instant / by: (Language materials, printed)

The queer Greek weird wave = ethics, politics and the crisis of meaning / by: (Language materials, printed)

Plant horror = approaches to the monstrous vegetal in fiction and film / by: (Language materials, printed)

Class divisions in serial television by: (Language materials, printed)

Screening modern Irish fiction and drama by: (Language materials, printed)

The queer film festival = popcorn and politics / by: (Language materials, printed)

Filmurbia = screening the suburbs / by: (Language materials, printed)

Contemporary film music = investigating cinema narratives and composition / by: (Language materials, printed)

Humour as politics = the political aesthetics of contemporary comedy / by: (Language materials, printed)

Intimate relationships in cinema, literature and visual culture by: (Language materials, printed)

Art cinema and theology = the word was made film / by: (Language materials, printed)

Reading the male gaze in literature and culture = studies in erotic epistemology / by: (Language materials, printed)

Reassessing the Hitchcock touch = industry, collaboration, and filmmaking / by: (Language materials, printed)

Film/music analysis = a film studies approach / by: (Language materials, printed)

Testing coherence in narrative film by: (Language materials, printed)

Disney and the dialectic of desire = fantasy as social practice / by: (Language materials, printed)

Hermeneutics of the film world = a Ricœurian method for film interpretation / by: (Language materials, printed)

Surrealism, cinema, and the search for a new myth by: (Language materials, printed)

Gothic dissections in film and literature = the body in parts / by: (Language materials, printed)

Fans, blockbusterisation, and the transformation of cinematic desire = global receptions of the 'Hobbit' film trilogy / by: (Language materials, printed)

Subversive adaptations = Czech literature on screen behind the Iron Curtain / by: (Language materials, printed)

Australian screen in the 2000s by: (Language materials, printed)

Landscape and the environment in Hollywood film = the green machine / by: (Language materials, printed)

Satire and politics = the interplay of heritage and practice / by: (Language materials, printed)

Comedies of nihilism = the representation of tragedy onscreen / by: (Language materials, printed)

Poison and poisoning in science, fiction and cinema = precarious identities / by: (Language materials, printed)

Genre trouble and extreme cinema = film theory at the fringes of contemporary art cinema / by: (Language materials, printed)

Japanese cinema between frames by: (Language materials, printed)

2001 = a space odyssey and Lacanian psychoanalytic theory / by: (Language materials, printed)

Digital storytelling = form and content / by: (Language materials, printed)

Adaptation in visual culture = images, texts, and their multiple worlds / by: (Language materials, printed)

Scale in literature and culture by: (Language materials, printed)

Film stardom and the ancient past = idols, artefacts and epics / by: (Language materials, printed)

Contemporary cinema and 'old age' = gender and the silvering of stardom / by: (Language materials, printed)

Cinematic urban geographies by: (Language materials, printed)

Python beyond python = critical engagements with culture / by: (Language materials, printed)

Alfred Hitchcock's Vertigo and the hermeneutic spiral by: (Language materials, printed)

Space and subjectivity in contemporary Brazilian cinema by: (Language materials, printed)

Spaces of surveillance = states and selves / by: (Language materials, printed)

Anatomy of the superhero film by: (Language materials, printed)

Shakespeare, Bakhtin, and film = a dialogic lens / by: (Language materials, printed)

Legacies of the degraded image in violent digital media by: (Language materials, printed)

Adaptation, awards culture, and the value of prestige by: (Language materials, printed)

Fairytale and gothic horror = buncanny transformations in film / by: (Language materials, printed)

Steven Spielberg's style by stealth by: (Language materials, printed)

On replacement = cultural, social and psychological representations / by: (Language materials, printed)

Literature, memory, hegemony = east/west crossings / by: (Language materials, printed)

An investigative cinema = politics and modernization in Italian, French, and American film / by: (Language materials, printed)

Rethinking genre in contemporary global cinema by: (Language materials, printed)

Cinematic representations of Alzheimer's Disease by: (Language materials, printed)

Cognitive theory and documentary film by: (Language materials, printed)

Spectatorship and film theory = the wayward spectator / by: (Language materials, printed)

Movie making as critical pedagogy = conscientization through visual storytelling / by: (Language materials, printed)

Researching newsreels = local, national and transnational case studies / by: (Language materials, printed)

Poetics of slow cinema = nostalgia, absurdism, boredom / by: (Language materials, printed)

Identifying and interpreting incongruent film music by: (Language materials, printed)

The formation of Chinese art cinema = 1990-2003 / by: (Language materials, printed)

Revisiting the toolbox of discourse studies = new trajectories in methodology, open data, and visualization / by: (Language materials, printed)

Gossip, women, film, and chick flicks by: (Language materials, printed)

Love and marriage across social classes in American cinema by: (Language materials, printed)

Cognitive approaches to German historical film = seeing is not believing / by: (Language materials, printed)

The modern supernatural and the beginnings of cinema by: (Language materials, printed)

The Latin American (Counter-) road movie and ambivalent modernity by: (Language materials, printed)

Irish Stereotypes in Vaudeville, 1865-1905 by: (Language materials, printed)

Discovering Short Films = The History and Style of Live-Action Fiction Shorts / by: (Language materials, printed)

Screening Modern Irish Fiction and Drama by: (Language materials, printed)

Memory, Forgetting and the Moving Image by: (Language materials, printed)

Screening the Tortured Body = The Cinema as Scaffold / by: (Language materials, printed)

Expressive Spaces in Digital 3D Cinema by: (Language materials, printed)

Urban Film and Everyday Practice = Bridging Divisions in Johannesburg / by: (Language materials, printed)

Contemporary Women's Gothic Fiction = Carnival, Hauntings and Vampire Kisses / by: (Language materials, printed)

Film and the Ethical Imagination by: (Language materials, printed)

Hybrid Practices in Moving Image Design = Methods of Heritage and Digital Production in Motion Graphics / by: (Language materials, printed)

Queer Girls, Temporality and Screen Media = Not ‘Just a Phase’ / by: (Language materials, printed)

The Queer Film Festival = Popcorn and Politics / by: (Language materials, printed)

Plant Horror = Approaches to the Monstrous Vegetal in Fiction and Film / by: (Language materials, printed)

The State of Post-Cinema = Tracing the Moving Image in the Age of Digital Dissemination / by: (Language materials, printed)

Lasting Screen Stars = Images that Fade and Personas that Endure / by: (Language materials, printed)

Screening the Sixties = Hollywood Cinema and the Politics of Memory / by: (Language materials, printed)

The Shawshank Experience = Tracking the History of the World’s Favorite Movie / by: (Language materials, printed)

The Zoo and Screen Media = Images of Exhibition and Encounter / by: (Language materials, printed)

Feeling Film = A Spatial Approach / by: (Language materials, printed)

Philosophy and the Patience of Film in Cavell and Nancy by: (Language materials, printed)

Tragic Time in Drama, Film, and Videogames = The Future in the Instant / by: (Language materials, printed)

Class Divisions in Serial Television by: (Language materials, printed)

Out of the Past = Lacan and Film Noir / by: (Language materials, printed)

Hollywood in Crisis or: The Collapse of the Real by: (Language materials, printed)

The Queer Greek Weird Wave = Ethics, Politics and the Crisis of Meaning / by: (Language materials, printed)

Pixar's America = The Re-Animation of American Myths and Symbols / by: (Language materials, printed)

Filmanthropologie by: (Language materials, printed)

Spectatorship and Film Theory = The Wayward Spectator / by: (Language materials, printed)

Poetics of Slow Cinema = Nostalgia, Absurdism, Boredom / by: (Language materials, printed)

An Investigative Cinema = Politics and Modernization in Italian, French, and American Film / by: (Language materials, printed)

Fairytale and Gothic Horror = Uncanny Transformations in Film / by: (Language materials, printed)

Contemporary Gothic Drama = Attraction, Consummation and Consumption on the Modern British Stage / by: (Language materials, printed)

Cinematic Representations of Alzheimer’s Disease by: (Language materials, printed)

Cognitive Theory and Documentary Film by: (Language materials, printed)

Rethinking Genre in Contemporary Global Cinema by: (Language materials, printed)

The Formation of Chinese Art Cinema = 1990–2003 / by: (Language materials, printed)

Movie Making as Critical Pedagogy = Conscientization through Visual Storytelling / by: (Language materials, printed)

Identifying and Interpreting Incongruent Film Music by: (Language materials, printed)

Researching Newsreels = Local, National and Transnational Case Studies / by: (Language materials, printed)

Steven Spielberg's Style by Stealth by: (Language materials, printed)

On Replacement = Cultural, Social and Psychological Representations / by: (Language materials, printed)

Empathetic Space on Screen = Constructing Powerful Place and Setting / by: (Language materials, printed)

Literature, Memory, Hegemony = East/West Crossings / by: (Language materials, printed)

Mediale Dispositive by: (Language materials, printed)

Philosophy in Stan Brakhage's Dog Star Man = World, Metaphor, Interpretation / by: (Language materials, printed)

Memory, Identity and Cognition: Explorations in Culture and Communication by: (Language materials, printed)

Hong Kong Dark Cinema = Film Noir, Re-conceptions, and Reflexivity / by: (Language materials, printed)

Medienraum Diaspora = Verortungen zeitgenössischer iranischer Diasporafilme / by: (Language materials, printed)

Revisiting the Toolbox of Discourse Studies = New Trajectories in Methodology, Open Data, and Visualization / by: (Language materials, printed)

Topografie des Laiendarsteller-Diskurses = Zur Konstruktion von Laiendarstellerinnen und Laiendarstellern im Kinospielfilm / by: (Language materials, printed)

Reading Shakespeare in the Movies = Non-Adaptations and Their Meaning / by: (Language materials, printed)