Film Theory.
Overview
| Works: | 182 works in 85 publications in 85 languages | |
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Titles
Gilles Deleuze and film criticism = philosophy, theory, and the individual film /
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Realität in Serie = Realitätsbehauptungen in zeitgenössischen Fernsehserien /
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Atmosphere, Architecture, Cinema = Thematic Reflections on Ambiance and Place /
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Transformation of Contemporary Film Genre = The Aesthetics of Chinese Mainland Mainstream Cinema /
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Performative Figures of Queer Masculinity = A Media History of Film and Cinema in Germany Until 1945 /
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Animating Unpredictable Effects = Nonlinearity in Hollywood’s R&D Complex /
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Cinematic Histospheres = On the Theory and Practice of Historical Films /
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Comparative Cinema = Late and Last Things in Literature and Film /
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Mapping Precarity in Contemporary Cinema and Television = Chronotopes of Anxiety, Depression, Expulsion/Extinction /
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Shakespeare's Storytelling = An Introduction to Genre, Character, and Technique /
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Kinematografie der Erinnerung = Band 2: Den Zweiten Weltkrieg erzählen /
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Reorienting Chinese Stars in Global Polyphonic Networks = Voice, Ethnicity, Power /
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Künstlerische Verfahren des Films aus psychologischer Sicht = Zum Wirkungspotenzial des Spielfilms /
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Explorations in Cinema through Classical Indian Theories = New Interpretations of Meaning, Aesthetics, and Art /
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Kinematografie der Erinnerung = Band 1: Filme als kollektives Gedächtnis verstehen /
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European Cinema in the Twenty-First Century = Discourses, Directions and Genres /
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The Spy who impressed me = Zur kollektiven Wirkung und kulturellen Bedeutung von James Bond-Filmen /
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Chinese Culture in the 21st Century and its Global Dimensions = Comparative and Interdisciplinary Perspectives /
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Performative Figuren queerer Männlichkeit = Eine Mediengeschichte von Film und Kino in Deutschland bis 1945 /
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Cinema of the Arab World = Contemporary Directions in Theory and Practice /
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Affirmative Aesthetics and Wilful Women = Gender, Space and Mobility in Contemporary Cinema /
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Quentin Tarantino and Film Theory = Aesthetics and Dialectics in Late Postmodernity /
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Lasting screen stars = images that fade and personas that endure /
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Urban film and everyday practice = bridging divisions in Johannesburg /
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Magical thinking, fantastic film, and the illusions of neoliberalism
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Pixar's America = the re-animation of American myths and symbols /
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Screening the sixties = Hollywood cinema and the politics of memory /
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Hybrid practices in moving image design = methods of heritage and digital production in motion graphics /
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Contemporary women's gothic fiction = carnival, hauntings and vampire kisses /
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The state of post-cinema = tracing the moving image in the age of digital dissemination /
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The Shawshank experience = tracking the history of the world's favorite movie /
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Tragic time in drama, film, and videogames = the future in the instant /
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The queer Greek weird wave = ethics, politics and the crisis of meaning /
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Plant horror = approaches to the monstrous vegetal in fiction and film /
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Contemporary film music = investigating cinema narratives and composition /
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Humour as politics = the political aesthetics of contemporary comedy /
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Reading the male gaze in literature and culture = studies in erotic epistemology /
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Reassessing the Hitchcock touch = industry, collaboration, and filmmaking /
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Hermeneutics of the film world = a Ricœurian method for film interpretation /
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Fans, blockbusterisation, and the transformation of cinematic desire = global receptions of the 'Hobbit' film trilogy /
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Subversive adaptations = Czech literature on screen behind the Iron Curtain /
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Landscape and the environment in Hollywood film = the green machine /
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Poison and poisoning in science, fiction and cinema = precarious identities /
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Genre trouble and extreme cinema = film theory at the fringes of contemporary art cinema /
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Adaptation in visual culture = images, texts, and their multiple worlds /
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Contemporary cinema and 'old age' = gender and the silvering of stardom /
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On replacement = cultural, social and psychological representations /
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An investigative cinema = politics and modernization in Italian, French, and American film /
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Movie making as critical pedagogy = conscientization through visual storytelling /
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Researching newsreels = local, national and transnational case studies /
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Revisiting the toolbox of discourse studies = new trajectories in methodology, open data, and visualization /
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Cognitive approaches to German historical film = seeing is not believing /
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Discovering Short Films = The History and Style of Live-Action Fiction Shorts /
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Urban Film and Everyday Practice = Bridging Divisions in Johannesburg /
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Contemporary Women's Gothic Fiction = Carnival, Hauntings and Vampire Kisses /
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Hybrid Practices in Moving Image Design = Methods of Heritage and Digital Production in Motion Graphics /
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(Language materials, printed)
Plant Horror = Approaches to the Monstrous Vegetal in Fiction and Film /
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(Language materials, printed)
The State of Post-Cinema = Tracing the Moving Image in the Age of Digital Dissemination /
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(Language materials, printed)
Lasting Screen Stars = Images that Fade and Personas that Endure /
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Screening the Sixties = Hollywood Cinema and the Politics of Memory /
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(Language materials, printed)
The Shawshank Experience = Tracking the History of the World’s Favorite Movie /
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(Language materials, printed)
Tragic Time in Drama, Film, and Videogames = The Future in the Instant /
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(Language materials, printed)
The Queer Greek Weird Wave = Ethics, Politics and the Crisis of Meaning /
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(Language materials, printed)
Pixar's America = The Re-Animation of American Myths and Symbols /
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(Language materials, printed)
An Investigative Cinema = Politics and Modernization in Italian, French, and American Film /
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Contemporary Gothic Drama = Attraction, Consummation and Consumption on the Modern British Stage /
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Movie Making as Critical Pedagogy = Conscientization through Visual Storytelling /
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Researching Newsreels = Local, National and Transnational Case Studies /
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On Replacement = Cultural, Social and Psychological Representations /
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Empathetic Space on Screen = Constructing Powerful Place and Setting /
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Philosophy in Stan Brakhage's Dog Star Man = World, Metaphor, Interpretation /
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Memory, Identity and Cognition: Explorations in Culture and Communication
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Hong Kong Dark Cinema = Film Noir, Re-conceptions, and Reflexivity /
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Medienraum Diaspora = Verortungen zeitgenössischer iranischer Diasporafilme /
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Revisiting the Toolbox of Discourse Studies = New Trajectories in Methodology, Open Data, and Visualization /
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Topografie des Laiendarsteller-Diskurses = Zur Konstruktion von Laiendarstellerinnen und Laiendarstellern im Kinospielfilm /
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Reading Shakespeare in the Movies = Non-Adaptations and Their Meaning /
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