Contemporary Theatre.
Overview
Works: | 110 works in 26 publications in 26 languages |
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Titles
Masculinities and Manhood in Contemporary Irish Drama = Acting the Man /
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Metatheatrical Dramaturgies of Violence = Staging the Role of Theatre /
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A History of East African Theatre, Volume 2 = Central East Africa /
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Theatres of Dust = Climate Gothic Analysis in Contemporary Australian Drama and Performance Landscapes /
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Four Caribbean Women Playwrights = Ina Césaire, Maryse Condé, Gerty Dambury and Suzanne Dracius /
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Contemporary Theatre Education and Creative Learning = A Great British Journey /
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20 Ground-Breaking Directors of Eastern Europe = 30 Years After the Fall of the Iron Curtain /
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Staging History from the Shoah to Palestine = Three Plays and Essays on WWII and Its Aftermath /
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Site, Dance and Body = Movement, Materials and Corporeal Engagement /
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The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance
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Affects in 21st-Century British Theatre = Exploring Feeling on Page and Stage /
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Madness in Contemporary British Theatre = Resistances and Representations /
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Performing New German Realities = Turkish-German Scripts of Postmigration /
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Theatre from Rhodesia to Zimbabwe = Hegemony, Identity and a Contested Postcolony /
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Black British Women's Theatre = Intersectionality, Archives, Aesthetics /
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Dementia, Narrative and Performance = Staging Reality, Reimagining Identities /
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Performances of Suffering in Latin American Migration = Heroes, Martyrs and Saints /
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Translated and Visiting Russian Theatre in Britain, 1945–2015 = A "Russia of the Theatrical Mind"? /
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Transnational Chinese Theatres = Intercultural Performance Networks in East Asia /
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Contemporary African Dance Theatre = Phenomenology, Whiteness, and the Gaze /
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Performing Southeast Asia = Performance, Politics and the Contemporary /
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Performing Welfare = Applied Theatre, Unemployment, and Economies of Participation /
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Intercultural Aesthetics in Traditional Chinese Theatre = From 1978 to the Present /
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Arthur Miller for the Twenty-First Century = Contemporary Views of His Writings and Ideas /
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Digital Theatre = The Making and Meaning of Live Mediated Performance, US & UK 1990-2020 /
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The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction = Revolutionary and Evolutionary Paradoxes /
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Intermedial theater = performance philosophy, transversal poetics, and the future of affect /
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Perspectives on contemporary Irish theatre = populating the stage /
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Performance for resilience = engaging youth on energy and climate through music, movement, and theatre /
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Teaching postdramatic theatre = anxieties, aporias and disclosures /
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Performing character in modern Irish drama = between art and society /
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Posthuman spiritualities in contemporary performance = politics, ecologies and perceptions /
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The road to wicked = the marketing and consumption of Oz from L. Frank Baum to Broadway /
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War as performance = conflicts in Iraq and political theatricality /
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Robert Lepage's scenographic dramaturgy = the aesthetic signature at work /
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Shifting corporealities in contemporary performance = danger, im/mobility and politics /
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Kinesthetic spectatorship in the theatre = phenomenology, cognition, movement /
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Oscar Wilde and contemporary Irish drama = learning to be Oscar's contemporary /
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The reasonable audience = theatre etiquette, behaviour policing, and the live performance experience /
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Teaching Postdramatic Theatre = Anxieties, Aporias and Disclosures /
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(Language materials, printed)
Shifting Corporealities in Contemporary Performance = Danger, Im/mobility and Politics /
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(Language materials, printed)
The Road to Wicked = The Marketing and Consumption of Oz from L. Frank Baum to Broadway /
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(Language materials, printed)
War as Performance = Conflicts in Iraq and Political Theatricality /
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(Language materials, printed)
Oscar Wilde and Contemporary Irish Drama = Learning to be Oscar's Contemporary /
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(Language materials, printed)
The Reasonable Audience = Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /
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(Language materials, printed)
Kinesthetic Spectatorship in the Theatre = Phenomenology, Cognition, Movement /
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(Language materials, printed)
Performing Character in Modern Irish Drama = Between Art and Society /
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(Language materials, printed)
Posthuman Spiritualities in Contemporary Performance = Politics, Ecologies and Perceptions /
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(Language materials, printed)
Robert Lepage’s Scenographic Dramaturgy = The Aesthetic Signature at Work /
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(Language materials, printed)
Austerity and the Public Role of Drama = Performing Lives-in-Common /
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Performing Dream Homes = Theater and the Spatial Politics of the Domestic Sphere /
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David Greig’s Holed Theatre = Globalization, Ethics and the Spectator /
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Media Archaeology and Intermedial Performance = Deep Time of the Theatre /
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Modernism and Scottish Theatre since 1969 = A Revolution on Stage /
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Pragmatist Philosophy and Dance = Interdisciplinary Dance Research in the American South /
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Performance and the Disney Theme Park Experience = The Tourist as Actor /
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