Art criticism.
概要
| 作品: | 94 作品在 1 項出版品 1 種語言 | |
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書目資訊
You are What You Read : = Participation and Emancipation Problematized in Habacuc's "Exposicion #1".
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Conflict, Controversy, and Art Education : = Social and Pedagogical Implications of Traveling Exhibitions of Contemporary Art.
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Registering Vision : = Saturation, Surveillance and the Contemporary Image in Spain and Mexico.
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Visual Dialogue : = Learning Journeys, 21st Century Skills, and Arts-Based Research in the University Art Studio.
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Stuart Davis's early theoretical writings, 1918-1923 : = Realism, Cubism, and Dada.
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Textual Hijacking : = Strategies of Resistance and Reclaiming the Objectified Woman in Balzac, Baudelaire, and Degas.
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Emotional Synergy : = The Transcendent Experience of Abstract Expressionism in the Color Field Work of Mark Rothko.
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Adopted Personalities : = Exploring Freedom, Creativity and Feminism through the Art of Annette Messager.
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The Effect of Rendering Style on Viewer's Perception of Historic Virtual Architecture.
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Individual encounters with painting and poetry : = Duncan Phillips, Mark Rothko, and Lawrence Ferlinghetti.
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Manufactured Apparitions : = Materiality and Postsocialist Memory in Contemporary Chinese Visual Art.
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Press Play : = Video Games and the Ludic Quality of Aesthetic Experiences across Media.
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The Role of Interactivity in the Artistic Process of Web-Based Art : = Case Studies of the Digital Media Art Pioneers' Practices and Studio Teaching.
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Authenticity, Creativity and the Future---Adidas Advertising and Contemporary Youth Culture.
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Performative Beings : = An Exploration of Gender Identity and Construction of Self(ves).
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Protest Beyond Representation : = The Vitalism of Digital Protest Art's Political Aesthetics.
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From Functionality to Aesthetics : = Palbo Picasso (1881-1973) and Peter Voulkos (1924-2002).
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Client-driven Creation & Professional Patterns in Modern Design : = A Case Study of One Vanderbilt Avenue.
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Sites of New Media Art : = Using the Internet to Explore Touch, Sociality, and Preservation.
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The Radical Potential of the Wunderkammer in Contemporary Museum and Exhibition Practice.
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Minimalist Paintings of Agnes Martin : = A Spiritual Experience Disguised as a Simple Grid.
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Textiles and Architecture | Woven into Dimensions of Temporality, Craft, Drapery, and Technology.
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Redefining the American Shopping Mall : = Interior Design's Role in Mitigating the Negative Impact of Consumerism.
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Making Material Meaningful : = Identifying and Analysing the Role of Material in Contemporary Sculptural Practice and Criticism.
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Getting in on the Action : = Spectatorship at the Technologized Interface of Live Performance.
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The Photographer Under Pressure : = Nakahira Takuma as a Body in the World, 1968-1977.
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Cross-domain Image Analysis Approaches Towards Segmentation of Placenta Photos and Pictorial Realism Study of Paintings.
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The Axe and the Lens : = Photography and the Big Trees of the American West 1860-1920.
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Ta men dou shi tu zi : = Xu Shuhan chuang zuo lun shu = They are All Rabbits : The Artistic Creation of Hsu, Shu-Han.
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Wounded : = The Materialization of Pain and Violence in the Artwork of Doris Salcedo and Ana Mendieta.
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How Can Art Practice Provide a Rebalancing and Re-Evaluation of the Canonic Legacy of Kurt Schwitters?
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The Noahic Pattern in Nicolas Rolin's Patronage : = Jan Van Eyck's Rolin Virgin and Rogier Van Der Weyden's Beaune Altarpiece.
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Decentralization : = The Future of Virtual Visual Culture and the Evolution of Narrative in New Media Art.
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On Currents : = How to Inscribe Patterns of the Pacific in Contemporary American Art History.
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Gamers' Relationships With Their Avatars & Fanfiction : = An Exploration of Player-Avatar Relationships Through a Digital Project.
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Breaking Chains, Forging Beauty : = Redefining African Jewelry Design Through the Work of Emefa Cole and Ami Doshi Shah.
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