Screen Studies.
Overview
| Works: | 210 works in 11 publications in 11 languages | |
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Titles
International cinema and the girl = local issues, transnational contexts /
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Today's sounds for yesterday's films = making music for silent cinema /
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Digital participatory culture and the TV audience = everyone's a critic /
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Reality TV and queer identities = sexuality, authenticity, celebrity /
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Screening the world = global development of the multiplex cinema /
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The Great War in Popular British Cinema of the 1920s = Before Journey's End /
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Performing Policy = How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century /
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European Cinema and Television = Cultural Policy and Everyday Life /
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Global Melodrama = Nation, Body, and History in Contemporary Film /
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The Revolting Child in Horror Cinema = Youth Rebellion and Queer Spectatorship /
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Public Discourses of Contemporary China = The Narration of the Nation in Popular Literatures, Film, and Television /
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The Cognitive Impact of Television News = Production Attributes and Information Reception /
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Taking Fame to Market = On the Pre-History and Post-History of Hollywood Stardom /
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Screening Post-1989 China = Critical Analysis of Chinese Film and Television /
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A History of 1970s Experimental Film = Britain's Decade of Diversity /
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Storytelling in the Media Convergence Age = Exploring Screen Narratives /
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Literature, Film, and Their Hideous Progeny = Adaptation and ElasTEXTity /
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Film Distribution in the Digital Age = Pirates and Professionals /
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Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film
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Black Magic Woman and Narrative Film = Race, Sex and Afro-Religiosity /
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Doctor Who: The Unfolding Event — Marketing, Merchandising and Mediatizing a Brand Anniversary
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Hybrid Heritage on Screen = The ‘Raj Revival’ in the Thatcher Era /
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Audiovisual Translation in the Digital Age = The Italian Fansubbing Phenomenon /
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Besides the Screen = Moving Images through Distribution, Promotion and Curation /
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Values and Choices in Television Discourse = A View from Both Sides of the Screen /
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Movie Towns and Sitcom Suburbs = Building Hollywood’s Ideal Communities /
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The Search for Meaning in Film and Television = Disenchantment at the Turn of the Millennium /
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The Science of Why = Decoding Human Motivation and Transforming Marketing Strategy /
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The Post-2000 Film Western = Contexts, Transnationality, Hybridity /
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Women and Domestic Space in Contemporary Gothic Narratives = The House as Subject /
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Therapy and Emotions in Film and Television = The Pulse of Our Times /
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Audiovisual Translation in a Global Context = Mapping an Ever-changing Landscape /
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Gizmos or: The Electronic Imperative = How Digital Devices have Transformed American Character and Culture /
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Today's Sounds for Yesterday's Films = Making Music for Silent Cinema /
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Digital Participatory Culture and the TV Audience = Everyone’s a Critic /
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British TV Comedies = Cultural Concepts, Contexts and Controversies /
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New Queer Sinophone Cinema = Local Histories, Transnational Connections /
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Return to Twin Peaks = New Approaches to Materiality, Theory, and Genre on Television /
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Disruptive Feminisms = Raced, Gendered, and Classed Bodies in Film /
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Breaking Bad and Dignity = Unity and Fragmentation in the Serial Television Drama /
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International Cinema and the Girl = Local Issues, Transnational Contexts /
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Hand-Made Television = Stop-Frame Animation for Children in Britain, 1961-1974 /
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Language and Manipulation in House of Cards = A Pragma-Stylistic Perspective /
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Gender and Sexuality in Latin American Horror Cinema = Embodiments of Evil /
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Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation
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Digital Platforms and Feminist Film Discourse = Women’s Cinema 2.0 /
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The Talent Industry = Television, Cultural Intermediaries and New Digital Pathways /
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Representing Education in Film = How Hollywood Portrays Educational Thought, Settings, and Issues /
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The Lonely Nineties = Visions of Community in Contemporary US Television /
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Reluctant Celebrity = Affect and Privilege in Contemporary Stardom /
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Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films
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Jenseits von Heimat = Raum im cinéma du métissage in Deutschland und in Frankreich /
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Von Game of Thrones bis House of Cards = Politische Perspektiven in Fernsehserien /
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Zur Geschichte des Rundfunks in Österreich = Programm für die Nation /
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The Spectacle of Politics and Religion in the Contemporary Turkish Cinema
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Slow-Burn-Narration = Langsames Erzählen in zeitgenössischen Fortsetzungsserien /
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Lieben, Leiden und Begehren = Wie Filme unsere Beziehungen beeinflussen. Hollywoods geheime Liebesbotschaften entschlüsselt /
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Post-Unification Turkish German Cinema = Work, Globalisation and Politics Beyond Representation /
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Women’s Domestic Activity in the Romantic-Period Novel, 1770-1820 = Dangerous Occupations /
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Filmstil, Differenzqualitäten, Emotionen = Zur affektiven Wirkung von Autorenfilmen am Beispiel der Berliner Schule /
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Reality TV and Queer Identities = Sexuality, Authenticity, Celebrity /
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Zur Morphologie und Rezeptionsästhetik des anthropomorphen Bösen im Spielfilm = Die acht Facetten des Bösen /
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McLuhan’s Galaxies: Science Fiction Film Aesthetics in Light of Marshall McLuhan’s Thought
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The Legacy of Mad Men = Cultural History, Intermediality and American Television /
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Watching Sympathetic Perpetrators on Italian Television = Gomorrah and Beyond /
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Poesie des Alltäglichen = Ulrich Theins Regiearbeiten für das Fernsehen der DDR (1963‐1976) /
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Professional and Business Ethics Through Film = The Allure of Cinematic Presentation and Critical Thinking /
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The Palgrave Handbook of the Philosophy of Film and Motion Pictures
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Elastic Language in Persuasion and Comforting = A Cross-Cultural Perspective /
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Screening the World = Global Development of the Multiplex Cinema /
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Populäre Fernsehbilder über Afrika = Eine qualitative Untersuchung deutschsprachiger Unterhaltungsfilme der Gegenwart /
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Philosophical Presentations of Raising Children = The Grammar of Upbringing /
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Women in Neoliberal Postfeminist Television Drama = Representing Gendered Experiences of the Second World War /
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Fernsehen – Internet – Konvergenz = Klassifikationsmodell und Typologie konvergenter Bewegtbildangebote /
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Queering Memory and National Identity in Transcultural U.S. Literature and Culture
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The Spy who impressed me = Zur kollektiven Wirkung und kulturellen Bedeutung von James Bond-Filmen /
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Film als Kunst der Gesellschaft = Ästhetische Innovationen und gesellschaftliche Verhältnisse /
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Rekonstruktionen von Subjektnormen und Subjektivierungen = Eine qualitative Studie über Lifestyle-Normen und deren Relevanz für YouTuber /
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Media Convergence and the Development Strategies of Radio and Television in China
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Deliberative Offenheit durch Empathie = Eine experimentelle Untersuchung von Unterhaltung im politischen Kontext /
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Framing the Holocaust in Polish Aftermath Cinema = Posthumous Materiality and Unwanted Knowledge /
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Binging Family = Die Konzeption von Familie in der Video-on-Demand-Serie /
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Bildung nach reaktionären Revolutionen = Was sich von der TV Serie The Handmaid’s Tale lernen lässt /
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Das Videodrama = Ein religionspädagogisches Filmprojekt im interdisziplinären Dialog /
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Transnational German Cinema = Encountering Germany Through Film and Events /
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Faszinierende Unterhaltung = Die Entstehung und unterhaltsame Qualität der Emotion Awe (Ehrfurcht) bei der Medienrezeption am Beispiel von Videospielen /
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Fernsehwissenschaft und Serienforschung = Theorie, Geschichte und Gegenwart (post-)televisueller Serialität /
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Die Entgrenzung von Kindheit in der Mediengesellschaft = Kinder zwischen Talentförderung, Leistungsdruck und wirtschaftlichen Interessen /
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Corpora, Corpses and Corps = A Multimodal Study of Contemporary Canadian TV Crime Series /
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Visual Methodology in Migration Studies = New Possibilities, Theoretical Implications, and Ethical Questions /
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The Cinema in Flux = The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era /
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Italy through the Red Lens = Italian Politics and Society in Communist Propaganda Films (1946–79) /
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Transnational Screen Culture in Scandinavia = Mediating Regional Space and Identity in the Øresund Region /
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Mapping Precarity in Contemporary Cinema and Television = Chronotopes of Anxiety, Depression, Expulsion/Extinction /
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Cinematic Histospheres = On the Theory and Practice of Historical Films /
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Der ästhetische Vektor = Eine Studie über filmische Postperformativität /
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Kreativität in der Unterhaltungsproduktion = Die soziale Praxis der Produktion fiktionaler und nonfiktionaler Fernsehsendungen /
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The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation
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