Theatre History.
Overview
| Works: | 268 works in 77 publications in 77 languages | |
|---|---|---|
Titles
The past, present, and future of American regional theatre = the regional ten /
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Shakespeare and the theater of religious conviction in early modern England
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Failure, fascism, and teachers in American theatre = pedagogy of the oppressors /
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Losing it = staging the cultural conundrum of dementia and decline in American theatre /
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Language and Metadrama in Major Barbara and Pygmalion = Shavian Sisters /
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Romantic Actors, Romantic Dramas = British Tragedy on the Regency Stage /
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The Metamorphoses of Commedia dell’Arte = Whatever Happened to Harlequin? /
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Maxwell Anderson and the Marriage Crisis = Challenging Tradition in the Jazz Age /
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Bernard Shaw on the American Stage = A Chronicle of Premieres and Notable Revivals /
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Jenseits der Vernunft = Form und Bedeutung in Wagners Musikdramen /
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Samuel Beckett’s Legacies in American Fiction = Problems in Postmodernism /
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Memorialising Shakespeare = Commemoration and Collective Identity, 1916–2016 /
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Samuel Beckett’s Legacies in American Fiction = Problems in Postmodernism /
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A History of East African Theatre, Volume 2 = Central East Africa /
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20 Ground-Breaking Directors of Eastern Europe = 30 Years After the Fall of the Iron Curtain /
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Theatre and Archival Memory = Irish Drama and Marginalised Histories 1951-1977 /
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Theatre Across Oceans = Mediators of Transatlantic Exchange, 1890–1925 /
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Theatre from Rhodesia to Zimbabwe = Hegemony, Identity and a Contested Postcolony /
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The Colonial Public and the Parsi Stage = The Making of the Theatre of Empire (1853-1893) /
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Black British Women's Theatre = Intersectionality, Archives, Aesthetics /
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Bernard Shaw and the Censors = Fights and Failures, Stage and Screen /
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Economies of Literature and Knowledge in Early Modern Europe = Change and Exchange /
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Heinrich von Kleist: Der zerbrochne Krug, ein Lustspiel = Textkritische Edition der Handschrift. Sonderband des Kleist-Jahrbuchs 2020 /
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Faust-Ikonologie = Stoff und Figur in der Bildkultur des 19. Jahrhunderts /
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Eugenics and Physical Culture Performance in the Progressive Era = Watch Whiteness Workout /
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Transnational Chinese Theatres = Intercultural Performance Networks in East Asia /
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Emotional Settings in Early Modern Pedagogical Culture = Hamlet, The Faerie Queene, and Arcadia /
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Die Entnazifizierung Richard Wagners = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
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Contemporary Japanese women's theatre and visual arts = performing girls' aesthetics /
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Queer dramaturgies = international perspectives on where performance leads queer /
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Child labor in the British Victorian entertainment industry = 1875-1914 /
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Breaking bad and dignity = unity and fragmentation in the serial television drama /
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Staging science = scientific performance on street, stage and screen /
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Anti-war theatre after Brecht = dialectical aesthetics in the twenty-first century /
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Theatre and residual culture = J.M. Synge and pre-Christian Ireland /
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Women, collective creation, and devised performance = the rise of women theatre artists in the twentieth and twenty-first centuries /
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New York City and the Hollywood musical = dancing in the streets /
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Gilbert and Sullivan's 'respectable capers' = class, respectability and the Savoy Operas 1877-1909 /
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Early modern diplomacy, theatre and soft power = the making of peace /
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The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
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W.C. Fields from the Ziegfeld Follies and Broadway stage to the screen = becoming a character comedian /
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The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
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Revisiting Shakespeare's lost play = Cardenio/Double falsehood in the eighteenth century /
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Elizabethan and Jacobean reappropriation in contemporary British drama = 'Upstart crows' /
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Hermenegildo and the Jesuits = staging sainthood in the early modern period /
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Theaters of error = problems of performance in German and French enlightenment theater /
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Performing character in modern Irish drama = between art and society /
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(Language materials, printed)
Racism and early blackface comic traditions = from the old world to the new /
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(Language materials, printed)
Theatre and Music in Manila and the Asia Pacific, 1869-1946 = Sounding Modernities /
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The theatre of imagining = a cultural history of imagination in the mind and on the stage /
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Staging the past in the age of Thatcher = "the history we haven't had" /
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The early modern theatre of cruelty and its doubles = Artaud and influence /
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Christina Reid's theatre of memory and identity = within and beyond the troubles /
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Conversion narratives in early modern England = tales of turning /
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Collaboration in performance practice = premises, workings and failures /
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Shakespeare's Italy and Italy's Shakespeare = place, "race," politics /
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The use of Asian theatre for modern western theatre = the displaced mirror /
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Sounding otherness in early modern drama and travel = uncanny vibrations in the English archive /
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Educational theatre for women in post-World War II Italy = a stage of their own /
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Bernard Shaw and Beatrice Webb on poverty and equality in the Modern World, 1905-1914
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Bernard Shaw, W. T. Stead, and the New Journalism = Whitechapel, Parnell, Titanic, and the Great War /
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Dramaturgy and Architecture = Theatre, Utopia and the Built Environment /
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The Circulation of Power in Medieval Biblical Drama = Theaters of Authority /
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Vision and Audience in Medieval Drama = A Study of The Castle of Perseverance /
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Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
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Victorian Writers and the Stage = The Plays of Dickens, Browning, Collins and Tennyson /
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Performances of Capitalism, Crises and Resistance = Inside/Outside Europe /
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Performance and Identity in Irish Stand-Up Comedy = The Comic 'i' /
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Political Performance in Syria = From the Six-Day War to the Syrian Uprising /
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British Theatre and the Great War, 1914 - 1919 = New Perspectives /
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Transatlantic Broadway = The Infrastructural Politics of Global Performance /
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The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
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Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
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‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication
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Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
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The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
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Ben Jonson, John Marston and Early Modern Drama = Satire and the Audience /
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Collaboration in Performance Practice = Premises, Workings and Failures /
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(Language materials, printed)
Early Modern Diplomacy, Theatre and Soft Power = The Making of Peace /
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(Language materials, printed)
Shakespeare’s Italy and Italy’s Shakespeare = Place, "Race," Politics /
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(Language materials, printed)
Staging Science = Scientific Performance on Street, Stage and Screen /
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(Language materials, printed)
Queer Performance and Contemporary Ireland = Dissent and Disorientation /
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Performing Race and Erasure = Cuba, Haiti, and US Culture, 1898–1940 /
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Theatre and Residual Culture = J.M. Synge and Pre-Christian Ireland /
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Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
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(Language materials, printed)
Shakespeare, Revenge Tragedy and Early Modern Law = Vindictive Justice /
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(Language materials, printed)
Gilbert and Sullivan's 'Respectable Capers' = Class, Respectability and the Savoy Operas 1877–1909 /
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(Language materials, printed)
W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen = Becoming a Character Comedian /
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(Language materials, printed)
Anti-War Theatre After Brecht = Dialectical Aesthetics in the Twenty-First Century /
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(Language materials, printed)
Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
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(Language materials, printed)
Breaking Bad and Dignity = Unity and Fragmentation in the Serial Television Drama /
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(Language materials, printed)
Child Labor in the British Victorian Entertainment Industry = 1875–1914 /
by:
(Language materials, printed)
The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture
by:
(Language materials, printed)
Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
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(Language materials, printed)
Democracy at Home in South Africa = Family Fictions and Transitional Culture /
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(Language materials, printed)
New York City and the Hollywood Musical = Dancing in the Streets /
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(Language materials, printed)
Revisiting Shakespeare’s Lost Play = Cardenio/Double Falsehood in the Eighteenth Century /
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(Language materials, printed)
Racism and Early Blackface Comic Traditions = From the Old World to the New /
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(Language materials, printed)
Theatre and Music in Manila and the Asia Pacific, 1869-1946 = Sounding Modernities /
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(Language materials, printed)
Christina Reid's Theatre of Memory and Identity = Within and Beyond the Troubles /
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(Language materials, printed)
Contemporary Gothic Drama = Attraction, Consummation and Consumption on the Modern British Stage /
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(Language materials, printed)
The Early Modern Theatre of Cruelty and its Doubles = Artaud and Influence /
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(Language materials, printed)
The Use of Asian Theatre for Modern Western Theatre = The Displaced Mirror /
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(Language materials, printed)
Conversion Narratives in Early Modern England = Tales of Turning /
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(Language materials, printed)
Staging the Past in the Age of Thatcher = "The History We Haven't Had" /
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(Language materials, printed)
Theaters of Error = Problems of Performance in German and French Enlightenment Theater /
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(Language materials, printed)
Performing Character in Modern Irish Drama = Between Art and Society /
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(Language materials, printed)
Die Szene des Wunderbaren = Die Shakespeare-Elfen im Wechselspiel von Musik und Maschine /
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Personal Narratives, Peripheral Theatres: Essays on the Great War (1914–18)
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Thomas Hamblin and the Bowery Theatre = The New York Reign of "Blood and Thunder” Melodramas /
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The Theatre of Imagining = A Cultural History of Imagination in the Mind and on the Stage /
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The Civil Rights Theatre Movement in New York, 1939–1966 = Staging Freedom /
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Building a Representative Theater Corpus = A Broader View of Nineteenth-Century French /
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Sounding Otherness in Early Modern Drama and Travel = Uncanny Vibrations in the English Archive /
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Modernism and Scottish Theatre since 1969 = A Revolution on Stage /
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A New History of Medieval Japanese Theatre = Noh and Kyōgen from 1300 to 1600 /
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