Arts management.
Overview
Works: | 73 works in 0 publications in 0 languages |
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Titles
What's in Lisbon? Art Museums, Art Dealers, and Refugees in Portugal Between 1933 and 1945.
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Women in Glass : = A Portraiture Study on Female Artists Who Utilize Glass.
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The Public Muse in Congress : = The Punctuation of American Federal Arts Policy.
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Being Present for the Embrace : = A Phenomenological Study of Mindfulness in an Art Museum.
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Emotional attachment to nonprofit theatre organizations : = Identifying emotional attachment antecedents.
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Poster, Performed : = Understanding Public Opinions of Authorship in Generative Artificial Intelligence Models via Analogy.
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Embodied and Creative Experiences of (Some) Nonprofit Arts Administrators : = A Queer, Arts-Based Inquiry Walking Policy, Practice, and Professional Lines.
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Expanding Opportunities : = Applying the Framework of Cultural Geomorphology to Investigate Potential Benefits of International Art Exchanges.
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Voice Station : = A Portfolio of Four Works Exploring Radio Art and Its Mediated Voices.
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A Seat at the Table : = A Multiple Streams Analysis of Opportunities and Challenges in Contemporary Arts Education Policymaking.
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How Can Art Practice Provide a Rebalancing and Re-Evaluation of the Canonic Legacy of Kurt Schwitters?
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Reframing Aesthetic Experience : = The Influence of Racial Bias, Openness, and Cognition on Painting Perception.
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How Different Cultural and Educational Experiences Influence the Development of Visual Representations.
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A Case Study of Citizenship Education in a Community Youth Orchestra Program.
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Effects of Engagements and Presentation Order in Informal Science Presentations.
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How Crochet Microentrepreneurs Use Social Media to Create a Successful Business Model.
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Street Performance in the Making of Global Cultural City Taipei - Licensing, Navigation, Atmosphere.
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The Art of Dwelling : = Making with the Material of Lived-In Places.
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Art Through a Digital Lens : = A Study of the Effects of New Medias on the Museum, Its Works, and the Public.
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Competencies of Modern Musician Entrepreneurs : = The Role of Digitalization in the Music Industry.
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The Interdisciplinary Music Degree : = Music Education, Music Performance, and Music and Fine Arts Administration.
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Invisible Hands : = The Ethnic Chinese Influence on the Development of Southeast Asian Contemporary Art from 1990 to 2022.
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Resisting Narrative : = Artistic Research, Narrativity and the Constraints of Academia.
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Analyzing Communication and PR Strategies in the Korean Art Market.
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Listening to Music Educators in Sonora, Mexico While Challenging My Privilege : = An Autoethnographic Account.
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The Evolution of Marketing Tools at Auction Houses. Case : = The Last Leonardo.
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The Potential of Art Festivals Held in the Metropolitan Area of Japan = = Nihon no shutoken de kaisai sa reru geijutsu-sai no kanōsei.
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Putting It All Together : = How Social Media Marketing Impacts Exhibition Choices and Visitor Attendance in Midwest Art Museums.
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The Photographic Imperative : = Picture-Taking, Camerawork, and the Lives of Philippine Images.
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Critical Thinking in the Art Classroom : = A Cross-Cultural Study of Art Classrooms in Taiwan and the United States.
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Strength in numbers : = Data-driven strategic marketing in mid-sized to large performing arts organizations.
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Dr. Arthur Caswell Parker and His Impact on the Rochester Museum of Arts and Sciences and Native Americans.
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A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs.
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Job Satisfaction of Orchestral Musicians : = The Effects of Non-Performance Organizational Roles.
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Community Engagement Or Community Outreach? A Case Study Of The Tallahassee Community Chorus And Its Unity Concert.
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Telling Stories to a New Generation : = How Technology and Media Have Shaped Contemporary Storytelling.
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An Examination of South Florida University Students' Leisure Motivation in Arts Participation.
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Turismo creativo : = Un modelo de negocio para Porta del Sol, Puerto Rico.
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"The Local" and "The Tourist" : = Shared Challenges and Opportunities for Honolulu Arts Organizations.
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Best Places to Stay, Best Places to Work : = Best Practice for League of Resident Theatres Actor Housing as Explored Through the Total Product Concept.
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Motivation Strategies for Improving Consistency in Live-Entertainment Employees' Performances.
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The Online Art Market In China : = Recent Developments And Future Prospects.
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Pop Cultures : = A Comparative Analysis of the American and South Korean Record Industries.
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Arts Teacher Evaluation : = How One Charter School Network Shows Its Support.
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Arts and Activism : = Examining the Relationship Between Activism, the Institution, and the Arts Administrator.
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Representation of Latinx Arts Administration Leaders in San Diego, California.
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Young Adults and Nonprofit Arts and Culture Organizations : = A Generational Change Analysis.
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The Evolution of the Small to Mid-Level/Mid-Sized Gallery Business Model in New York City.
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Examining the Use of Digital Marketing Tools Among Visual Artists for Purposeful Career Development.
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Management and Preservation of Animation Cels in Archives, Libraries, and Museums in the United States.
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University-Housed Performing Arts Centers - Practices and Impact.
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Developing and Experiencing Visitor-Centered Exhibitions with the Supported Interpretation (SI) Model : = A Double Case Study.
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Artist Support and the Arts Organization : = Shrinking the "Human Resources Deficit".
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Financial Challenges of New Media Art in Contemporary Arts Institutions.
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From Deng to the Bird's Nest : = A Generation of Chinese Collectors Finds Its Voice.
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Creative Collaboration Between Museums and Well-Known Companies.
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Engaging Audiences : = A Case Study from Three Music Organizations in Philadelphia.
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What about Us? Inclusivity, Community, and the Future of Sustainability in African-American Museums.
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Marketing Politics : = North Korean Painter Song Byeok as Artist and Commodity.
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A Comparative Analysis of the Chinese Art-Secured Lending Market and the U.S. Model.
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Collaborations between Visual Artists and Musicians in the Age of Celebrity.
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Digitizing Conservation : = Incorporating Digital Technologies to the Reconstruction and Loss Compensation of Archaeological Ceramics.
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