Arts.
Overview
| Works: | 456 works in 103 publications in 103 languages | |
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Titles
Labour and privilege -- future commons = new writings on contemporary art practices /
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A brief history of Chinese imperial porcelain = from song dynasty to Qing dynasty /
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Archive as detour = historical re-enactment in artist archive and archival art practices of Contemporary Hong Kong /
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Reimag(in)ing the victorians in contemporary art = britain and beyond /
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Sociology of the arts in action = new perspectives on creation, production, and reception /
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Acting on cultural policy = arts practitioners, policy-making and civil society /
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Kunst kaufen = Den Kunstmarkt verstehen, Wissen aufbauen und klug investieren /
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Tattooed Bodies = Theorizing Body Inscription Across Disciplines and Cultures /
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Conserving Stone Heritage = Traditional and Innovative Materials and Techniques /
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DermARTologie/DermARTtology = Das Inkarnat Die Haut in der bildenden Kunst/Carnation Skin in the fine arts /
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Reviewing Culture Online = Post-Institutional Cultural Critique across Platforms /
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Porcelain Analysis and Its Role in the Forensic Attribution of Ceramic Specimens
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Augmented Reality Art = From an Emerging Technology to a Novel Creative Medium /
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Peripatetic Painting: Pathways in Social, Immersive, and Empathic Art Practice
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Polyhedra and Beyond = Contributions from Geometrias’19, Porto, Portugal, September 05-07 /
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Disruptive Technologies in Media, Arts and Design = A Collection of Innovative Research Case-Studies that Explore the Use of Artificial Intelligence and Blockchain within the Media, Arts and Design Sector /
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Carl Einstein: Die Fabrikation der Fiktionen = 1. und 2. Fassung /
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Moveable Designs, Liminal Aesthetics, and Cultural Production in America since 1772
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Controversial Issues and Social Problems for an Integrated Disciplinary Teaching
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Defending Descartes in Brandenburg-Prussia = The University of Frankfurt an der Oder in the Seventeenth Century /
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Text and Image in Women's Life Writing = Picturing the Female Self /
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Multiple Epochisierungen = Literatur und Bildende Kunst 1500–1800 /
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Aesthetics and the Iconoclasm of Contemporary Art = Pictures Without a World /
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Die naturalistische Ästhetik in Frankreich und ihre Auflösung = Ein Beitrag zur systemwissenschaftlichen Betrachtung der Künstlerästhetik /
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There is no soundtrack : = rethinking art, media, and the audio-visual contract /
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Bedouin Visual Leadership in the Middle East = The Power of Aesthetics and Practical Implications /
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London’s Women Artists, 1900-1914 = A Talented and Decorative Group /
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The Visible, the Sublime and the Sensus Communis = Kant’s Theory of Perception /
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Researching and Writing on Contemporary Art and Artists = Challenges, Practices, and Complexities /
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Reconceptualizing the Digital Humanities in Asia = New Representations of Art, History and Culture /
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Mare Plasticum - The Plastic Sea = Combatting Plastic Pollution Through Science and Art /
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Macht und Architektur = Hauptstadtbau, Demokratie und die Politik des Raumes /
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Fashion and Authorship = Literary Production and Cultural Style from the Eighteenth to the Twenty-First Century /
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The Bishan Commune and the Practice of Socially Engaged Art in Rural China
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Luis Frois: First Western Accounts of Japan's Gardens, Cities and Landscapes
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Collaborative Praxis and Contemporary Art Experiments in the MENASA Region
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What You See Is What You Hear = Creativity and Communication in Audiovisual Texts /
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Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics
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The Art of Artificial Evolution = A Handbook on Evolutionary Art and Music /
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Art's teachings, teaching's art = philosophical, critical and educational musings /
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Real Photo Postcards = Unbelievable Images from the Collection of Harvey Tulcensky /
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On art and artists = an anthology of Diderot's aesthetic thought /
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Crime in the art and antiquities world = illegal trafficking in cultural property /
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Late cainozoic floras of Iceland = 15 million years of vegetation and climate history in the northern North Atlantic /
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The sky in early modern English literature = a study of allusions to celestial events in Elizabethan and Jacobean writing, 1572-1620 /
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Smart graphics = 11th international symposium, SG 2011, Bremen, Germany, July 18-20, 2011 : proceedings /
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Artists, writers, and musicians = an encyclopedia of people who changed the world /
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Interactive Storytelling = Second Joint International Conference on Interactive Digital Storytelling, ICIDS 2009, Guimaraes, Portugal, December 9-11, 2009 : proceedings /
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Interactive storytelling = fourth International Conference on Interactive Digital Storytelling, ICIDS 2011, Vancouver, Canada, November 28 - 1 December, 2011 : proceedings /
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Interactive storytelling = 8th International Conference on Interactive Digital Storytelling, ICIDS 2015, Copenhagen, Denmark, November 30 - December 4, 2015 : proceedings /
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International Colloquium of Art and Design Education Research (i-CADER 2014)
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Proceedings of the International Symposium on Research of Arts, Design and Humanities (ISRADH 2014)
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The economics of contemporary art = markets, strategies and stardom /
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Interactive storytelling = 6th International Conference, ICIDS 2013, Istanbul, Turkey, November 6-9, 2013 : proceedings /
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Smart graphics = 10th international symposium, SG 2009, Salamanca, Spain, May 28-30, 2009 ; proceedings /
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A computational approach to digital Chinese painting and calligraphy
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Performance and technology = practices of virtual embodiment and interactivity /
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Intellectual work and the spirit of capitalism = Weber's calling /
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Celestial sleuth = using astronomy to solve mysteries in art, history and literature /
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Controls and art = inquiries at the intersection of the subjective and the objective /
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Embodied curriculum theory and research in arts education = a dance scholar's search for meaning /
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Contemporary Japanese women's theatre and visual arts = performing girls' aesthetics /
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Queer dramaturgies = international perspectives on where performance leads queer /
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Dislocated screen memory = narrating trauma in Post-Yugoslav cinema /
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Breaking bad and dignity = unity and fragmentation in the serial television drama /
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British TV comedies = cultural concepts, contexts and controversies /
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Proceedings of the 2nd International Colloquium of Art and Design Education Research (i-CADER 2015)
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The creative system in action = understanding cultural production and practice /
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Collective identity and cultural resistance in contemporary Chicana/o autobiography
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Walking and the aesthetics of modernity = pedestrian mobility in literature and the arts /
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Women, collective creation, and devised performance = the rise of women theatre artists in the twentieth and twenty-first centuries /
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Language and manipulation in House of Cards = a pragma-stylistic perspective /
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The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
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The origins of the arts council movement = philanthropy and policy /
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Aesthetics and neuroscience = scientific and artistic perspectives /
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Scripting the environment = oil, democracy and the sands of time and space /
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The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
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The self in performance = autobiographical, self-revelatory, and autoethnographic forms of therapeutic theatre /
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International performance research pedagogies = towards an unconditional discipline? /
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Genre trouble and extreme cinema = film theory at the fringes of contemporary art cinema /
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Visual Culture Wars at the Borders of Contemporary China = Art, Design, Film, New Media and the Prospects of “Post-West” Contemporaneity /
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Politik in der Kunst – Kunst in der Politik = Zum Potential ästhetischer Zugänge zur Politik /
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Communist Ghosts = Post-Communist Thresholds, Critical Aesthetics and the Undoing of Modern Europe /
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Die Sichtbarmachung des Unsichtbaren = Visualisierungsstrategien zenbuddhistischer Kunst /
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Artificial Intelligence and the Arts = Computational Creativity, Artistic Behavior, and Tools for Creatives /
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Cinephilie unter der Diktatur = Filmkultur in Spanien und der DDR in den 1950er und 1960er Jahren /
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The Artground Ecology = Engaging Children in Arts and Play Experiences /
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Ways of Seeing in the Neoliberal State = A Controversial Play and Its Contexts /
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The Moving Image as Public Art = Sidewalk Spectators and Modes of Enchantment /
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In the Sphere of The Soviets = Essays on the Cultural Legacy of the Soviet Union /
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Cultural and Creative Mural Spaces = Community, Culture and Tourism of Uruguayan Contemporary Muralism and Other International Mural Spaces /
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Socially Engaged Art History and Beyond = Alternative Approaches to the Theory and Practice of Art History /
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Zur Materialität des feministischen Widerstands = Textile Agency gegen sexualisierte Gewalt und Femicides /
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The Occult Nineteenth Century = Roots, Developments, and Impact on the Modern World /
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Alexander von Humboldt-Handbuch = Leben – Werk – Wirkung | Sonderausgabe /
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Wahrnehmen als soziale Praxis = Künste und Sinne im Zusammenspiel /
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Urban Memory in City Transitions = The Significance of Place in Mind /
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Ein transdisziplinäres Panoptikum = Aktuelle Forschungsbeiträge aus dem wissenschaftlichen Nachwuchs der Universität Bielefeld /
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Alan Moore, out from the underground = cartooning, performance, and dissent /
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The aesthetics of development = art, culture and social transformation /
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Nature, artforms, and the world around us = an introduction to the regions of aesthetic experience /
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Sensing the nation's Law = historical inquiries into the aesthetics of democratic legitimacy /
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Local invisibility, postcolonial feminisms = Asian American contemporary artists in California /
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Artists' voices in cultural policy = careers, myths and the creative profession after German unification /
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What does it mean to be an empiricist? = empiricisms in eighteenth century sciences /
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Collaboration in performance practice = premises, workings and failures /
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Today's sounds for yesterday's films = making music for silent cinema /
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Comics for film, games, and animation : = using comics to construct your transmedia storyworld /
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Representing the experience of war and atrocity = interdisciplinary explorations in visual criminology /
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Educating in the Arts = The Asian Experience: Twenty-Four Essays /
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Dramaturgy and Architecture = Theatre, Utopia and the Built Environment /
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Entr'acte = Performing Publics, Pervasive Media, and Architecture /
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Art's Teachings, Teaching's Art = Philosophical, Critical and Educational Musings /
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Red Love Across the Pacific = Political and Sexual Revolutions of the Twentieth Century /
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Performing Policy = How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century /
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Global Melodrama = Nation, Body, and History in Contemporary Film /
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Creativity and Humour in Occupy Movements = Intellectual Disobedience in Turkey and Beyond /
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The Revolting Child in Horror Cinema = Youth Rebellion and Queer Spectatorship /
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Islamic perspectives relating to business, arts, culture and communication = Proceedings of the 1st ICIBACC 2014 /
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Taking Fame to Market = On the Pre-History and Post-History of Hollywood Stardom /
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Performances of Capitalism, Crises and Resistance = Inside/Outside Europe /
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A Critical Theory of Creativity = Utopia, Aesthetics, Atheism and Design /
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Interactive Storytelling = 8th International Conference on Interactive Digital Storytelling, ICIDS 2015, Copenhagen, Denmark, November 30 - December 4, 2015, Proceedings /
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Screening Post-1989 China = Critical Analysis of Chinese Film and Television /
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Contracts, Patronage and Mediation = The Articulation of Global and Local in the South African Recording Industry /
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Beziehungsanalysen. Bildende Künste in Westdeutschland nach 1945 = Akteure, Institutionen, Ausstellungen und Kontexte /
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Fantastic Transmedia = Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds /
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Performance and Identity in Irish Stand-Up Comedy = The Comic 'i' /
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A History of 1970s Experimental Film = Britain's Decade of Diversity /
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Political Performance in Syria = From the Six-Day War to the Syrian Uprising /
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Literature, Film, and Their Hideous Progeny = Adaptation and ElasTEXTity /
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British Theatre and the Great War, 1914 - 1919 = New Perspectives /
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Film Distribution in the Digital Age = Pirates and Professionals /
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Multiplicity, Embodiment and the Contemporary Dancer = Moving Identities /
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The Art of Public Space = Curating and Re-imagining the Ephemeral City /
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Choreographing Problems = Expressive Concepts in Contemporary Dance and Performance /
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Transatlantic Broadway = The Infrastructural Politics of Global Performance /
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The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
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The Dancer's World, 1920 - 1945 = Modern Dancers and their Practices Reconsidered /
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Photography, Music and Memory = Pieces of the Past in Everyday Life /
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Hogarth’s Art of Animal Cruelty = Satire, Suffering and Pictorial Propaganda /
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Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
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Black Magic Woman and Narrative Film = Race, Sex and Afro-Religiosity /
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Brazilian Bodies and Their Choreographies of Identification = Swing Nation /
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Anime Aesthetics = Japanese Animation and the 'Post-Cinematic' Imagination /
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Hybrid Heritage on Screen = The ‘Raj Revival’ in the Thatcher Era /
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Italian Masculinity as Queer Melodrama = Caravaggio, Puccini, Contemporary Cinema /
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Besides the Screen = Moving Images through Distribution, Promotion and Curation /
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Defiant Itineraries = Caribbean Paradigms in American Dance and Film /
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Spatiality and Symbolic Expression = On the Links between Place and Culture /
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The Pop Music Idol and the Spirit of Charisma = Reality Television Talent Shows in the Digital Economy of Hope /
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The Search for Meaning in Film and Television = Disenchantment at the Turn of the Millennium /
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The Post-2000 Film Western = Contexts, Transnationality, Hybridity /
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Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
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From Fairy Tale to Film Screenplay = Working with Plot Genotypes /
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Proceedings of the International Symposium on Research of Arts, Design and Humanities (ISRADH 2014)
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Comics - Bilder, Stories und Sequenzen in religiösen Deutungskulturen
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Media Art and the Urban Environment = Engendering Public Engagement with Urban Ecology /
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International Colloquium of Art and Design Education Research (i-CADER 2014)
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The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
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Proceedings of the 2nd International Colloquium of Art and Design Education Research (i-CADER 2015)
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Today's Sounds for Yesterday's Films = Making Music for Silent Cinema /
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The Origins of the Arts Council Movement = Philanthropy and Policy /
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Collaboration in Performance Practice = Premises, Workings and Failures /
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The Economics of the Popular Music Industry = Modelling from Microeconomic Theory and Industrial Organization /
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Queer Performance and Contemporary Ireland = Dissent and Disorientation /
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British TV Comedies = Cultural Concepts, Contexts and Controversies /
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Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
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Embodied Curriculum Theory and Research in Arts Education = A Dance Scholar's Search for Meaning /
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Latin America at Fin-de-Siècle Universal Exhibitions = Modern Cultures of Visuality /
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New Orleans Rhythm and Blues After Katrina = Music, Magic and Myth /
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The Creative System in Action = Understanding Cultural Production and Practice /
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Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
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Breaking Bad and Dignity = Unity and Fragmentation in the Serial Television Drama /
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Wie das Leben spricht: Narrativität als radikale Lebensphänomenologie = Neuere Studien zu Michel Henry /
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Listening to China’s Cultural Revolution = Music, Politics, and Cultural Continuities /
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The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture
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Psychology and Philosophy of Abstract Art = Neuro-aesthetics, Perception and Comprehension /
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Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism
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The Self in Performance = Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre /
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Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
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The Regulation of Sex-Themed Visual Imagery = From Clay Tablets to Tablet Computers /
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Hand-Made Television = Stop-Frame Animation for Children in Britain, 1961-1974 /
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Democracy at Home in South Africa = Family Fictions and Transitional Culture /
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Language and Manipulation in House of Cards = A Pragma-Stylistic Perspective /
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Collective Identity and Cultural Resistance in Contemporary Chicana/o Autobiography
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Walking and the Aesthetics of Modernity = Pedestrian Mobility in Literature and the Arts /
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Die Stadt in der Stadt = Raum-, Zeit- und Bildrepräsentationen urbaner Öffentlichkeiten /
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Scripting the Environment = Oil, Democracy and the Sands of Time and Space /
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Quality-TV als Unterhaltungsphänomen = Entwicklung, Charakteristika, Nutzung und Rezeption von Fernsehserien wie The Sopranos, The Wire oder Breaking Bad /
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Aesthetics and Neuroscience = Scientific and Artistic Perspectives /
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Frühe ästhetische Bildung – mit Kindern künstlerische Wege entdecken
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Interactive Storytelling = 9th International Conference on Interactive Digital Storytelling, ICIDS 2016, Los Angeles, CA, USA, November 15–18, 2016, Proceedings /
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Art, Spirituality and Economics = Liber Amicorum for Laszlo Zsolnai /
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Communicating Creativity = The Discursive Facilitation of Creative Activity in Arts /
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Vergissmeinnicht - Psychiatriepatienten und Anstaltsleben um 1900 = Aus Werken der Sammlung Prinzhorn /
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Artists’ Voices in Cultural Policy = Careers, Myths and the Creative Profession after German Unification /
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Strukturfarben im Brennpunkt der Bionik = Zwischen Kunst und Naturwissenschaften /
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What Does it Mean to be an Empiricist? = Empiricisms in Eighteenth Century Sciences /
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Art and the Challenge of Markets Volume 1 = National Cultural Politics and the Challenges of Marketization and Globalization /
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Local Invisibility, Postcolonial Feminisms = Asian American Contemporary Artists in California /
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Art and the Challenge of Markets Volume 2 = From Commodification of Art to Artistic Critiques of Capitalism /
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Sensing the Nation's Law = Historical Inquiries into the Aesthetics of Democratic Legitimacy /
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Augmented Reality Art = From an Emerging Technology to a Novel Creative Medium /
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Filmstil, Differenzqualitäten, Emotionen = Zur affektiven Wirkung von Autorenfilmen am Beispiel der Berliner Schule /
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Displacements = Reading Space and Time in Moving Image Installations /
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Morphodynamics in Aesthetics = Essays on the Singularity of the Work of Art /
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Die Ästhetik der Autopoiesis = Architekturbewertung in Wettbewerben /
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The Crafty Animator = Handmade, Craft-based Animation and Cultural Value /
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Understanding the Beauty Appreciation Trait = Empirical Research on Seeking Beauty in All Things /
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Audience Engagement in the Performing Arts = A Critical Analysis /
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The STEAM Revolution = Transdisciplinary Approaches to Science, Technology, Engineering, Arts, Humanities and Mathematics /
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Representing the Experience of War and Atrocity = Interdisciplinary Explorations in Visual Criminology /
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The Beauty of Geology: Art of Geology Mapping in China Over a Century
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Vernissage im privaten Wohnraum = Temporäre Ausstellungskonzepte zeitgenössischer Kunst /
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Techno-Esoterik in der säkularisierten Moderne = Überzeugungsstrategien, Apparate und die Formung des modernen Subjekts /
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Ökonomik der Kunst und Kultur = Kompakt – verständlich – anwendungsorientiert /
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