Film studies.
Overview
| Works: | 80 works in 0 publications in 0 languages | |
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Titles
The Soviet Industrial Sublime : = The Awe and Fear of Dneprostroi, 1927-1932.
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Volume I Affect and Feelings : = The Persuasive Power of Film Music. Volume II Quintet for Piano and String Quartet.
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Documentary Adaptation : = Non-Fiction Transformations via Cinema and Television.
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Inner Lives : = The Moral Cinema of Bresson, Rohmer, and the Dardennes.
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The Romantic Baby Boomer : = A Successful Aging Analysis of Romantic Comedy Film Trailers.
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More Than Movies : = Social Formations in Informal Networks of Media Sharing.
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Scenes of Feeling : = Music and the Imagination of the Liberal Subject.
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Film as a Mirror of Evolving Consciousness : = The Politics of Representation, the Power of Social Media, and Shifting Landscapes.
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Body, Space, Interaction : = Embodiment, Narrative, and the Digitization of Media.
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Coming Attractions : = Immersive Digital Technologies in Cinema and Augmented, Mixed and Virtual Reality in Head Mounted Displays in the Twenty-First Century.
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At the Crossroads of Identity : = Migration Cinema of the Triveneto.
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The Art Education of Recklessness : = Thinking Scholarship through the Essay.
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When the Lights Go Down : = Why Do People Still Go to the Movies?
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A Comparison between User-Generated Reviews, Genre and Box-Office Revenue in the U.S. Major Motion Picture Industry.
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#RIP : = Social Media and the Changing Experience of Life and Death.
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Speaking American : = Comparing Supreme Court and Hollywood racial interpretation in the early twenty -first century.
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Making the Censored Public : = The 1989 Tiananmen Square Protests in Chinese Fiction and Film.
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Zones of Influence : = The Production of Madrid in Early Franco Spain.
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Imagining Resistance and Solidarity in the Neoliberal Age of U.S. Imperialism, Black Feminism, and Caribbean Diaspora.
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Neoliberal Transformations of "White Masculinity" in Cinematic Media - 1970-2015.
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Partners in catastrophe : = The phantasmic in African American, Jewish American, and Native American trauma narratives.
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Fascination/Frustration : = Slash Fandom, Genre, and Queer Uptake.
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Heterolanguage in Twenty-First-Century Cinema and Literature : = Transnational Mediations.
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The New Reflexivity : = Puzzle Films, Found Footage, and Cinematic Narration in the Digital Age.
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Turning a Multivalent Lens toward Depictions of Artificial Intelligence (AI) in Film = = Transformer une lentille multivalente en representations de l'intelligence artificielle (IA) dans un film.
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Caressing Radical Alterity : = For a Queer Ethic of Embodiment in Contemporary Films and Literature.
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A Liberal Arts Education in Film Production : = Instructional Assessment of Student Film Projects.
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Between Worlds : = A Personal Journey of Self-Reflection while on the Path of Conocimiento.
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Re-mixing Old Character Tropes on Screen : = Kerry Washington, Viola Davis, and the New Femininity.
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Volume I. Synchretic Analysis and Storyboard Scores : The Musical Rhythm of Filmic Elements; = Volume II. "The Nightingale" : Piece for Orchestra and Narrator, "The Twins" : Score to the Film by Daniela Hoyos, "April" : Score to the Film by Ann Tmangraksat /
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Perceiving Extraction : = Landscape, Use, and the Conditions of Visuality.
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Smut, Novelty, Indecency : = Reworking a History of Twentieth Century American "Stag Film".
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Fattitude The Movie : = Theory and Praxis of Creating a Documentary that Examines Fat Representation and Fat Social Justice.
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Distracted Driving : = A Cross-Disciplinary Analysis Exploring the Effectiveness of Public Service Announcements Regarding Texting and Driving That Employ a Filmed Narrative with Emotional Appeals.
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An Investigation Into the Detective : = The Protagonist's Power to Challenge, Shape and Mend Through Social Critique.
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Reprogramming the Movies : = Distribution Strategy and Production Planning in the Early Studio System, 1915-1924.
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Cinema's Motion Forms : = Film Theory, the Digital Turn, and the Possibilities of Cinematic Movement.
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A Narrative Inquiry Using Film to Teach Critical Thinking for Associate Degree Nursing Students in the Midwestern United States.
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Rethinking the Normative : = Madness, Abjection, and Awareness in American Literature and Film.
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A New Queer Trinity : = A Semiotic, Genre Theory, and Auto-Ethnographic Examination of Reeling : The Chicago LGBTQ+ International Film Festival .
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Cinematic Representation of American Indians : = A Critical Cultural Analysis of a Contemporary American Indian-Directed Film.
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Images never again witnessed/concepts never again thought : = "(nostalgia)" and utopia in the aporia of aesthetic theory.
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Recentering Taiwan : = Colonialism, the Nation, and Identity in Taiwanese Fiction and Film.
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Pulses of abstraction : = Episodes from a history of animation.
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Representation, meaning, and experience in the cinema : = A critical study of contemporary film theory.
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And They Lived Happily Ever After. The End? Postfeminism and the Rebranding of the Disney Princesses.
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Time material : = Temporality, narrative, and modernity in silent film and American naturalism.
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"Walled prison, Walled Garden - or both"? : = The GDR and Images of Education : Film Media's relationship to history and memory of the German Democratic Republic in the post-Wende Period = Die DDR und Bilder von Bildung: Film Medien Beziehung zur Geschichte und Erinnerung.
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Law Enforcement in Early-Twentieth-Century American Film : = 1900 to 1952.
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The Role of Fan-Subtitle Groups in the Process of Introducing US Television Programs Into China : = A Case Study.
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Scanner Epistemologies : = Mediations of the Material and Virtual.
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Press Play : = Video Games and the Ludic Quality of Aesthetic Experiences across Media.
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Themes and Aesthetic of the Victorian Era and Their Practical Application in 21st Century Storytelling.
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Re-Imagining the Black Body on Screen : = Using Screendance to Contest Racist Depictions of the Black Body in Film.
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Discourses of Legitimation : = Representation, Recognition, and Truth in Post-9/11 American War Films.
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Lights, Cameras, and Agricultural Documentaries : = Understanding Viewers' Interpretation of Source Credibility in Food Documentary Films.
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Rhetorics of Integrity : = Constitutive Rhetoric in American Cinema and Television.
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Strategies of Digital Surrealism in Contemporary Western Cinema.
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The Feminist Superheroine : = A Critical Evaluation of Patty Jenkins' Wonder Woman.
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From Italian American Icon to Working Class Hero : = Perspectives on Pietro di Donato's "Christ in Concrete".
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From Attendance to Performance : = Spectatorship, "Liveness," and the Emergence of Live Cinema.
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From Prison Yard to Field of Play : = Documentary Histories of Race and Movement in Film, Television and New Media.
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Performance in Ones and Zeros : = No-Budget Cinema in the Digital Era.
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"No Reason to Be Seen" : = Cinema, Exploitation, and the Political.
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Playing the Big Easy : = A History of New Orleans in Film and Television.
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Creating the Third Reich through film, press, and pageantry (1933--1934) : = A myth-ritual analysis.
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