Film studies.

Coming Attractions : = Immersive Digital Technologies in Cinema and Augmented, Mixed and Virtual Reality in Head Mounted Displays in the Twenty-First Century. by: (書目-語言資料,手稿)

At the Crossroads of Identity : = Migration Cinema of the Triveneto. by: (書目-語言資料,手稿)

The Art Education of Recklessness : = Thinking Scholarship through the Essay. by: (書目-語言資料,手稿)

When the Lights Go Down : = Why Do People Still Go to the Movies? by: (書目-語言資料,手稿)

Fashion Designer Brands in the Digital Age. by: (書目-語言資料,手稿)

A Comparison between User-Generated Reviews, Genre and Box-Office Revenue in the U.S. Major Motion Picture Industry. by: (書目-語言資料,手稿)

#RIP : = Social Media and the Changing Experience of Life and Death. by: (書目-語言資料,手稿)

Speaking American : = Comparing Supreme Court and Hollywood racial interpretation in the early twenty -first century. by: (書目-語言資料,手稿)

Making the Censored Public : = The 1989 Tiananmen Square Protests in Chinese Fiction and Film. by: (書目-語言資料,手稿)

Zones of Influence : = The Production of Madrid in Early Franco Spain. by: (書目-語言資料,手稿)

Imagining Resistance and Solidarity in the Neoliberal Age of U.S. Imperialism, Black Feminism, and Caribbean Diaspora. by: (書目-語言資料,手稿)

Neoliberal Transformations of "White Masculinity" in Cinematic Media - 1970-2015. by: (書目-語言資料,手稿)

Partners in catastrophe : = The phantasmic in African American, Jewish American, and Native American trauma narratives. by: (書目-語言資料,手稿)

A Cultural History of Media Piracy in Postsocialist China. by: (書目-語言資料,手稿)

Fascination/Frustration : = Slash Fandom, Genre, and Queer Uptake. by: (書目-語言資料,手稿)

Heterolanguage in Twenty-First-Century Cinema and Literature : = Transnational Mediations. by: (書目-語言資料,手稿)

The New Reflexivity : = Puzzle Films, Found Footage, and Cinematic Narration in the Digital Age. by: (書目-語言資料,手稿)

Turning a Multivalent Lens toward Depictions of Artificial Intelligence (AI) in Film = = Transformer une lentille multivalente en representations de l'intelligence artificielle (IA) dans un film. by: (書目-語言資料,手稿)

Caressing Radical Alterity : = For a Queer Ethic of Embodiment in Contemporary Films and Literature. by: (書目-語言資料,手稿)

A Liberal Arts Education in Film Production : = Instructional Assessment of Student Film Projects. by: (書目-語言資料,手稿)

Between Worlds : = A Personal Journey of Self-Reflection while on the Path of Conocimiento. by: (書目-語言資料,手稿)

Re-mixing Old Character Tropes on Screen : = Kerry Washington, Viola Davis, and the New Femininity. by: (書目-語言資料,手稿)

MDD, What and How A Motion Graphics Short Film. by: (書目-語言資料,手稿)

Volume I. Synchretic Analysis and Storyboard Scores : The Musical Rhythm of Filmic Elements; = Volume II. "The Nightingale" : Piece for Orchestra and Narrator, "The Twins" : Score to the Film by Daniela Hoyos, "April" : Score to the Film by Ann Tmangraksat / by: (書目-語言資料,手稿)

Perceiving Extraction : = Landscape, Use, and the Conditions of Visuality. by: (書目-語言資料,手稿)

Stylish Politics : = Long Takes in Post-1945 Cinema. by: (書目-語言資料,手稿)

Smut, Novelty, Indecency : = Reworking a History of Twentieth Century American "Stag Film". by: (書目-語言資料,手稿)

Fattitude The Movie : = Theory and Praxis of Creating a Documentary that Examines Fat Representation and Fat Social Justice. by: (書目-語言資料,手稿)

Distracted Driving : = A Cross-Disciplinary Analysis Exploring the Effectiveness of Public Service Announcements Regarding Texting and Driving That Employ a Filmed Narrative with Emotional Appeals. by: (書目-語言資料,手稿)

An Investigation Into the Detective : = The Protagonist's Power to Challenge, Shape and Mend Through Social Critique. by: (書目-語言資料,手稿)

Reprogramming the Movies : = Distribution Strategy and Production Planning in the Early Studio System, 1915-1924. by: (書目-語言資料,手稿)

Cinema's Motion Forms : = Film Theory, the Digital Turn, and the Possibilities of Cinematic Movement. by: (書目-語言資料,手稿)

A Narrative Inquiry Using Film to Teach Critical Thinking for Associate Degree Nursing Students in the Midwestern United States. by: (書目-語言資料,手稿)

Rethinking the Normative : = Madness, Abjection, and Awareness in American Literature and Film. by: (書目-語言資料,手稿)

Empathy and projection in the psychic space of the cinema. by: (書目-語言資料,手稿)

A New Queer Trinity : = A Semiotic, Genre Theory, and Auto-Ethnographic Examination of Reeling : The Chicago LGBTQ+ International Film Festival . by: (書目-語言資料,手稿)

Cinematic Representation of American Indians : = A Critical Cultural Analysis of a Contemporary American Indian-Directed Film. by: (書目-語言資料,手稿)

Images never again witnessed/concepts never again thought : = "(nostalgia)" and utopia in the aporia of aesthetic theory. by: (書目-語言資料,手稿)

Adolescence Hanging in the Balance : = Ego and Self in Film. by: (書目-語言資料,手稿)

Good Game Well Played : = An eSports Documentary. by: (書目-語言資料,手稿)

Recentering Taiwan : = Colonialism, the Nation, and Identity in Taiwanese Fiction and Film. by: (書目-語言資料,手稿)

Homeworking : = Domestic Space and Creativity. by: (書目-語言資料,手稿)

Pulses of abstraction : = Episodes from a history of animation. by: (書目-語言資料,手稿)

Representation, meaning, and experience in the cinema : = A critical study of contemporary film theory. by: (書目-語言資料,手稿)

And They Lived Happily Ever After. The End? Postfeminism and the Rebranding of the Disney Princesses. by: (書目-語言資料,手稿)

Time material : = Temporality, narrative, and modernity in silent film and American naturalism. by: (書目-語言資料,手稿)

"Walled prison, Walled Garden - or both"? : = The GDR and Images of Education : Film Media's relationship to history and memory of the German Democratic Republic in the post-Wende Period = Die DDR und Bilder von Bildung: Film Medien Beziehung zur Geschichte und Erinnerung. by: (書目-語言資料,手稿)

Law Enforcement in Early-Twentieth-Century American Film : = 1900 to 1952. by: (書目-語言資料,手稿)

The Role of Fan-Subtitle Groups in the Process of Introducing US Television Programs Into China : = A Case Study. by: (書目-語言資料,手稿)

Scanner Epistemologies : = Mediations of the Material and Virtual. by: (書目-語言資料,手稿)

Press Play : = Video Games and the Ludic Quality of Aesthetic Experiences across Media. by: (書目-語言資料,手稿)

The Experience of Independent Film Viewing. by: (書目-語言資料,手稿)

Themes and Aesthetic of the Victorian Era and Their Practical Application in 21st Century Storytelling. by: (書目-語言資料,手稿)

Re-Imagining the Black Body on Screen : = Using Screendance to Contest Racist Depictions of the Black Body in Film. by: (書目-語言資料,手稿)

Discourses of Legitimation : = Representation, Recognition, and Truth in Post-9/11 American War Films. by: (書目-語言資料,手稿)

Lights, Cameras, and Agricultural Documentaries : = Understanding Viewers' Interpretation of Source Credibility in Food Documentary Films. by: (書目-語言資料,手稿)

Rhetorics of Integrity : = Constitutive Rhetoric in American Cinema and Television. by: (書目-語言資料,手稿)

Strategies of Digital Surrealism in Contemporary Western Cinema. by: (書目-語言資料,手稿)

The Feminist Superheroine : = A Critical Evaluation of Patty Jenkins' Wonder Woman. by: (書目-語言資料,手稿)

From Italian American Icon to Working Class Hero : = Perspectives on Pietro di Donato's "Christ in Concrete". by: (書目-語言資料,手稿)

Feature Film and Dance Film : = A Match Made in Movement. by: (書目-語言資料,手稿)

From Attendance to Performance : = Spectatorship, "Liveness," and the Emergence of Live Cinema. by: (書目-語言資料,手稿)

From Prison Yard to Field of Play : = Documentary Histories of Race and Movement in Film, Television and New Media. by: (書目-語言資料,手稿)

Performance in Ones and Zeros : = No-Budget Cinema in the Digital Era. by: (書目-語言資料,手稿)

"No Reason to Be Seen" : = Cinema, Exploitation, and the Political. by: (書目-語言資料,手稿)

Playing the Big Easy : = A History of New Orleans in Film and Television. by: (書目-語言資料,手稿)

The Martial Arts and American Popular Media. by: (書目-語言資料,手稿)

Creating the Third Reich through film, press, and pageantry (1933--1934) : = A myth-ritual analysis. by: (書目-語言資料,手稿)

Hidden Mickey : = Animation's Exclusion from Art History. by: (書目-語言資料,手稿)

Fragmented Screens : = Found Footage and Image Circulation. by: (書目-語言資料,手稿)