Performing Arts.
Overview
| Works: | 416 works in 106 publications in 106 languages | |
|---|---|---|
Titles
Masculinities and Manhood in Contemporary Irish Drama = Acting the Man /
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Metatheatrical Dramaturgies of Violence = Staging the Role of Theatre /
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Eugenics and Physical Culture Performance in the Progressive Era = Watch Whiteness Workout /
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Transnational Chinese Theatres = Intercultural Performance Networks in East Asia /
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(Language materials, printed)
Traditioneller Fortschritt = Das Stuttgarter Hoftheater, die elektrische Moderne und die Großstadt (1851-1912) /
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Contemporary African Dance Theatre = Phenomenology, Whiteness, and the Gaze /
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(Language materials, printed)
Performative Figuren queerer Männlichkeit = Eine Mediengeschichte von Film und Kino in Deutschland bis 1945 /
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Storytelling in Participatory Arts with Young People = The Gaps in the Story /
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(Language materials, printed)
Performing Southeast Asia = Performance, Politics and the Contemporary /
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(Language materials, printed)
The Comedy and Legacy of Music-Hall Women 1880-1920 = Brazen Impudence and Boisterous Vulgarity /
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(Language materials, printed)
Performing Welfare = Applied Theatre, Unemployment, and Economies of Participation /
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Applied Theatre and Sexual Health Communication = Apertures of Possibility /
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(Language materials, printed)
Heat and Alterity in Contemporary Dance = South-South Choreographies /
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(Language materials, printed)
Intercultural Aesthetics in Traditional Chinese Theatre = From 1978 to the Present /
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Adaptation Considered as a Collaborative Art = Process and Practice /
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(Language materials, printed)
What You See Is What You Hear = Creativity and Communication in Audiovisual Texts /
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Ubuntu as Dance Pedagogy in Uganda = Individuality, Community, and Inclusion in Teaching and Learning of Indigenous Dances /
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(Language materials, printed)
Die Entnazifizierung Richard Wagners = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
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Digital Theatre = The Making and Meaning of Live Mediated Performance, US & UK 1990-2020 /
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The Future of Music = Towards a Computational Musical Theory of Everything /
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(Language materials, printed)
Language, music, and computing = first International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015 : revised selected papers /
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(Language materials, printed)
Rock and roll fantasy? = the reality of going from garage band to superstardom /
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(Language materials, printed)
Arts and technology = second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011 : revised selected papers /
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(Language materials, printed)
British television animation 1997-2010 = drawing comic tradition /
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(Language materials, printed)
Class divisions on the Broadway stage = the staging and taming of the I.W.W. /
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The dangerous lives of public performers = dancing, sex, and entertainment in the Islamic world /
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(Language materials, printed)
Mapping South Asia through contemporary theatre = essays on the theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka /
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(Language materials, printed)
Memory and imagination in film = Scorsese, Lynch, Jarmusch, Van Sant /
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(Language materials, printed)
The new humor in the progressive era = Americanization and the vaudeville comedian /
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(Language materials, printed)
Performance, identity, and immigration law = a theatre of undocumentedness /
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(Language materials, printed)
Performing ground = space, camouflage and the art of blending in /
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(Language materials, printed)
Postmodern metanarratives = Blade Runner and literature in the age of image /
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(Language materials, printed)
Staging the slums, slumming the stage = class, poverty, ethnicity, and sexuality in American theatre, 1890-1916 /
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(Language materials, printed)
Intersecting cultures in music and dance education = an oceanic perspective /
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(Language materials, printed)
Lasting screen stars = images that fade and personas that endure /
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(Language materials, printed)
Beyond immersive theatre = aesthetics, politics and productive participation /
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(Language materials, printed)
Adapting War horse = cognition, the spectator, and a sense of play /
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(Language materials, printed)
Anti-war theatre after Brecht = dialectical aesthetics in the twenty-first century /
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(Language materials, printed)
Post-conflict performance, film and visual arts = cities of memory /
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(Language materials, printed)
Ethno identity dance for sex, fun and profit = staging popular dances around the world /
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(Language materials, printed)
Women, collective creation, and devised performance = the rise of women theatre artists in the twentieth and twenty-first centuries /
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(Language materials, printed)
History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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(Language materials, printed)
Embodied philosophy in dance = Gaga and Ohad Naharin's movement research /
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(Language materials, printed)
Migrating modernist performance = British theatrical travels through Russia /
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(Language materials, printed)
The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
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(Language materials, printed)
The theatre of death - the uncanny in mimesis = Tadeusz Kantor, Aby Warburg, and an iconology of the actor /
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(Language materials, printed)
Intermedial praxis and practice as research = 'doing-thinking' in practice /
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(Language materials, printed)
The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
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(Language materials, printed)
Reframing immersive theatre = the politics and pragmatics of participatory performance /
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(Language materials, printed)
The self in performance = autobiographical, self-revelatory, and autoethnographic forms of therapeutic theatre /
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(Language materials, printed)
Elizabethan and Jacobean reappropriation in contemporary British drama = 'Upstart crows' /
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(Language materials, printed)
Digital bodies = creativity and technology in the arts and humanities /
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(Language materials, printed)
Indigenous creatures, native knowledges, and the arts = animal studies in modern worlds /
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Performance studies and negative epistemology = performance apophatics /
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The topos of music. = musical multiverse ontologies /. III,. Gestures
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The topos of music. = geometric logic, classification, harmony, counterpoint, motives, rhythm /. I,. Theory
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The topos of music. = theory, software, and case studies /. II,. Performance
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Creating performances for teaching and learning = a practice session for pedagogy /
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(Language materials, printed)
Art and politics under modern dictatorships = a comparison of Chile and Romania /
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(Language materials, printed)
Hollyweird science = the next generation :from spaceships to microchips /
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(Language materials, printed)
Performance for resilience = engaging youth on energy and climate through music, movement, and theatre /
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(Language materials, printed)
Theatricality and performativity = writings on texture from Plato's cave to urban activism /
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(Language materials, printed)
African youth languages = new media, performing arts and sociolinguistic development /
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(Language materials, printed)
Theaters of error = problems of performance in German and French enlightenment theater /
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(Language materials, printed)
Digital echoes = spaces for intangible and performance-based cultural heritage /
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(Language materials, printed)
Posthuman spiritualities in contemporary performance = politics, ecologies and perceptions /
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(Language materials, printed)
Embodying language in action = the artistry of process drama in second language education /
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(Language materials, printed)
Economies of collaboration in performance = more than the sum of the parts /
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(Language materials, printed)
War as performance = conflicts in Iraq and political theatricality /
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(Language materials, printed)
The theatre of imagining = a cultural history of imagination in the mind and on the stage /
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(Language materials, printed)
Staging the past in the age of Thatcher = "the history we haven't had" /
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(Language materials, printed)
Experimental and expanded animation = new perspectives and practices /
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(Language materials, printed)
The early modern theatre of cruelty and its doubles = Artaud and influence /
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(Language materials, printed)
Beckett, Deleuze and performance = a thousand failures and a thousand inventions /
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(Language materials, printed)
Shifting corporealities in contemporary performance = danger, im/mobility and politics /
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(Language materials, printed)
Kinesthetic spectatorship in the theatre = phenomenology, cognition, movement /
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(Language materials, printed)
Performing music history = musicians speak first-hand about music history and performance /
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(Language materials, printed)
Collaboration in performance practice = premises, workings and failures /
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(Language materials, printed)
Poetry and pedagogy across the lifespan = disciplines, classrooms, contexts /
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(Language materials, printed)
The reasonable audience = theatre etiquette, behaviour policing, and the live performance experience /
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(Language materials, printed)
The use of Asian theatre for modern western theatre = the displaced mirror /
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(Language materials, printed)
Educating in the Arts = The Asian Experience: Twenty-Four Essays /
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(Language materials, printed)
Performing antagonism = theatre, performance & radical democracy /
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(Language materials, printed)
Bernard Shaw, W. T. Stead, and the New Journalism = Whitechapel, Parnell, Titanic, and the Great War /
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(Language materials, printed)
Dramaturgy and Architecture = Theatre, Utopia and the Built Environment /
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Entr'acte = Performing Publics, Pervasive Media, and Architecture /
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Performing Policy = How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century /
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Imagining Shakespeare's Original Audience, 1660-2000 = Groundlings, Gallants, Grocers /
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Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
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Performances of Capitalism, Crises and Resistance = Inside/Outside Europe /
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(Language materials, printed)
Performance and Identity in Irish Stand-Up Comedy = The Comic 'i' /
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(Language materials, printed)
Anthropology, Theatre, and Development = The Transformative Potential of Performance /
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(Language materials, printed)
Political Performance in Syria = From the Six-Day War to the Syrian Uprising /
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(Language materials, printed)
British Theatre and the Great War, 1914 - 1919 = New Perspectives /
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Multiplicity, Embodiment and the Contemporary Dancer = Moving Identities /
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The Art of Public Space = Curating and Re-imagining the Ephemeral City /
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Choreographing Problems = Expressive Concepts in Contemporary Dance and Performance /
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(Language materials, printed)
Transatlantic Broadway = The Infrastructural Politics of Global Performance /
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The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
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(Language materials, printed)
The Dancer's World, 1920 - 1945 = Modern Dancers and their Practices Reconsidered /
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Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
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Brazilian Bodies and Their Choreographies of Identification = Swing Nation /
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(Language materials, printed)
Defiant Itineraries = Caribbean Paradigms in American Dance and Film /
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(Language materials, printed)
Conjuring Science = A History of Scientific Entertainment and Stage Magic in Modern France /
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(Language materials, printed)
Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
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(Language materials, printed)
Language, Music, and Computing = First International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015, Revised Selected Papers /
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(Language materials, printed)
The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
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(Language materials, printed)
Collaboration in Performance Practice = Premises, Workings and Failures /
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(Language materials, printed)
Migrating Modernist Performance = British Theatrical Travels Through Russia /
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(Language materials, printed)
Queer Performance and Contemporary Ireland = Dissent and Disorientation /
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(Language materials, printed)
Ethno Identity Dance for Sex, Fun and Profit = Staging Popular Dances Around the World /
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(Language materials, printed)
Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
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(Language materials, printed)
Anti-War Theatre After Brecht = Dialectical Aesthetics in the Twenty-First Century /
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(Language materials, printed)
Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
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(Language materials, printed)
Beyond Immersive Theatre = Aesthetics, Politics and Productive Participation /
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(Language materials, printed)
Reframing Immersive Theatre = The Politics and Pragmatics of Participatory Performance /
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(Language materials, printed)
History as Theatrical Metaphor = History, Myth and National Identities in Modern Scottish Drama /
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(Language materials, printed)
Post-Conflict Performance, Film and Visual Arts = Cities of Memory /
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(Language materials, printed)
Child Labor in the British Victorian Entertainment Industry = 1875–1914 /
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(Language materials, printed)
Die ästhetisch-narrativen Dimensionen des 3D-Films = Neue Perspektiven der Stereoskopie /
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(Language materials, printed)
Lasting Screen Stars = Images that Fade and Personas that Endure /
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(Language materials, printed)
The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture
by:
(Language materials, printed)
The Theatre of Death – The Uncanny in Mimesis = Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor /
by:
(Language materials, printed)
The Self in Performance = Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre /
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(Language materials, printed)
Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
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(Language materials, printed)
Adapting War Horse = Cognition, the Spectator, and a Sense of Play /
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(Language materials, printed)
Embodied Philosophy in Dance = Gaga and Ohad Naharin's Movement Research /
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(Language materials, printed)
Intermedial Praxis and Practice as Research = 'Doing-Thinking' in Practice /
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(Language materials, printed)
American Progress = Nerdkultur, akrobatische Komik und Commedia dell'arte /
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(Language materials, printed)
Improvisieren = Material, Interaktion, Haltung und Musik aus soziologischer Perspektive /
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(Language materials, printed)
Intersecting Cultures in Music and Dance Education = An Oceanic Perspective /
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(Language materials, printed)
Embodying Language in Action = The Artistry of Process Drama in Second Language Education /
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(Language materials, printed)
Poetry and Pedagogy across the Lifespan = Disciplines, Classrooms, Contexts /
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(Language materials, printed)
Shifting Corporealities in Contemporary Performance = Danger, Im/mobility and Politics /
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(Language materials, printed)
Economies of Collaboration in Performance = More than the Sum of the Parts /
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(Language materials, printed)
War as Performance = Conflicts in Iraq and Political Theatricality /
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(Language materials, printed)
Beckett, Deleuze and Performance = A Thousand Failures and A Thousand Inventions /
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(Language materials, printed)
Theatricality and Performativity = Writings on Texture from Plato’s Cave to Urban Activism /
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(Language materials, printed)
Experimental and Expanded Animation = New Perspectives and Practices /
by:
(Language materials, printed)
The Reasonable Audience = Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /
by:
(Language materials, printed)
The Early Modern Theatre of Cruelty and its Doubles = Artaud and Influence /
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(Language materials, printed)
Performing Music History = Musicians Speak First-Hand about Music History and Performance /
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(Language materials, printed)
Kinesthetic Spectatorship in the Theatre = Phenomenology, Cognition, Movement /
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(Language materials, printed)
The Use of Asian Theatre for Modern Western Theatre = The Displaced Mirror /
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(Language materials, printed)
Staging the Past in the Age of Thatcher = "The History We Haven't Had" /
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(Language materials, printed)
Theaters of Error = Problems of Performance in German and French Enlightenment Theater /
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(Language materials, printed)
Exploring, Experiencing, and Envisioning Integration in US Arts Education
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(Language materials, printed)
Creative Selves / Creative Cultures = Critical Autoethnography, Performance, and Pedagogy /
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(Language materials, printed)
Digital Echoes = Spaces for Intangible and Performance-based Cultural Heritage /
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(Language materials, printed)
Choreographing the Airport = Field Notes from the Transit Spaces of Global Mobility /
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(Language materials, printed)
African Youth Languages = New Media, Performing Arts and Sociolinguistic Development /
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(Language materials, printed)
Dance Matters in Ireland = Contemporary Dance Performance and Practice /
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(Language materials, printed)
Posthuman Spiritualities in Contemporary Performance = Politics, Ecologies and Perceptions /
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(Language materials, printed)
Thomas Hamblin and the Bowery Theatre = The New York Reign of "Blood and Thunder” Melodramas /
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(Language materials, printed)
Große Gesellschaft in kleiner Gruppe = Zum Eigensinn bürgerschaftlichen Engagements für Oper und Theater /
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(Language materials, printed)
The Theatre of Imagining = A Cultural History of Imagination in the Mind and on the Stage /
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(Language materials, printed)
The Civil Rights Theatre Movement in New York, 1939–1966 = Staging Freedom /
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(Language materials, printed)
Austerity and the Public Role of Drama = Performing Lives-in-Common /
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Sustainable Tools for Precarious Times = Performance Actions in the Americas /
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Memory, Identity and Cognition: Explorations in Culture and Communication
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Performing Dream Homes = Theater and the Spatial Politics of the Domestic Sphere /
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(Language materials, printed)
Audience Engagement in the Performing Arts = A Critical Analysis /
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(Language materials, printed)
David Greig’s Holed Theatre = Globalization, Ethics and the Spectator /
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Translating across Sensory and Linguistic Borders = Intersemiotic Journeys between Media /
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Creative Measures of the Anthropocene = Art, Mobilities, and Participatory Geographies /
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Die Regeln des Spiels = Programm und Spielplan-Gestaltung im Theater /
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Media Archaeology and Intermedial Performance = Deep Time of the Theatre /
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Body and Event in Howard Barker's Drama = From Catastrophe to Anastrophe in The Castle and Other Plays /
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Choreographing Agonism = Politics, Strategies and Performances of the Left /
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Polyrhythmicity in Language, Music and Society = Complex Time Relations in the Arts, Humanities and Social Sciences /
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Contemporary Theatre Education and Creative Learning = A Great British Journey /
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Ways of Seeing in the Neoliberal State = A Controversial Play and Its Contexts /
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Shakespeare's Storytelling = An Introduction to Genre, Character, and Technique /
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The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance
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Space-Time Geometries for Motion and Perception in the Brain and the Arts
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Affects in 21st-Century British Theatre = Exploring Feeling on Page and Stage /
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Theatre and Archival Memory = Irish Drama and Marginalised Histories 1951-1977 /
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Theatre Across Oceans = Mediators of Transatlantic Exchange, 1890–1925 /
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Performance and Posthumanism = Staging Prototypes of Composite Bodies /
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Madness in Contemporary British Theatre = Resistances and Representations /
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Dramatizing Blindness = Disability Studies as Critical Creative Narrative /
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Performing New German Realities = Turkish-German Scripts of Postmigration /
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Dementia, Narrative and Performance = Staging Reality, Reimagining Identities /
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The Applied Theatre Artist = Responsivity and Expertise in Practice /
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Labor and Aesthetics in European Contemporary Dance = Dancing Precarity /
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(Language materials, printed)
Pop with Gods, Shakespeare, and AI = Popular Film, (Musical) Theatre, and TV Drama /
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Performances of Suffering in Latin American Migration = Heroes, Martyrs and Saints /
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Translated and Visiting Russian Theatre in Britain, 1945–2015 = A "Russia of the Theatrical Mind"? /
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Modernism and Scottish Theatre since 1969 = A Revolution on Stage /
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(Language materials, printed)
Pragmatist Philosophy and Dance = Interdisciplinary Dance Research in the American South /
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Ökonomik der Kunst und Kultur = Kompakt – verständlich – anwendungsorientiert /
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Performance and the Disney Theme Park Experience = The Tourist as Actor /
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Seeing as Practice = Philosophical Investigations into the Relation Between Sight and Insight /
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