Performing Arts.
概要
| 作品: | 416 作品在 106 項出版品 106 種語言 | |
|---|---|---|
書目資訊
Eugenics and Physical Culture Performance in the Progressive Era = Watch Whiteness Workout /
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Transnational Chinese Theatres = Intercultural Performance Networks in East Asia /
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Traditioneller Fortschritt = Das Stuttgarter Hoftheater, die elektrische Moderne und die Großstadt (1851-1912) /
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Performative Figuren queerer Männlichkeit = Eine Mediengeschichte von Film und Kino in Deutschland bis 1945 /
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The Comedy and Legacy of Music-Hall Women 1880-1920 = Brazen Impudence and Boisterous Vulgarity /
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Performing Welfare = Applied Theatre, Unemployment, and Economies of Participation /
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Intercultural Aesthetics in Traditional Chinese Theatre = From 1978 to the Present /
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What You See Is What You Hear = Creativity and Communication in Audiovisual Texts /
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Ubuntu as Dance Pedagogy in Uganda = Individuality, Community, and Inclusion in Teaching and Learning of Indigenous Dances /
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Die Entnazifizierung Richard Wagners = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
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Digital Theatre = The Making and Meaning of Live Mediated Performance, US & UK 1990-2020 /
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Language, music, and computing = first International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015 : revised selected papers /
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Arts and technology = second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011 : revised selected papers /
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The dangerous lives of public performers = dancing, sex, and entertainment in the Islamic world /
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Mapping South Asia through contemporary theatre = essays on the theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka /
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The new humor in the progressive era = Americanization and the vaudeville comedian /
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Staging the slums, slumming the stage = class, poverty, ethnicity, and sexuality in American theatre, 1890-1916 /
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Anti-war theatre after Brecht = dialectical aesthetics in the twenty-first century /
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Ethno identity dance for sex, fun and profit = staging popular dances around the world /
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Women, collective creation, and devised performance = the rise of women theatre artists in the twentieth and twenty-first centuries /
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History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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The theatre of death - the uncanny in mimesis = Tadeusz Kantor, Aby Warburg, and an iconology of the actor /
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The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
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Reframing immersive theatre = the politics and pragmatics of participatory performance /
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The self in performance = autobiographical, self-revelatory, and autoethnographic forms of therapeutic theatre /
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Elizabethan and Jacobean reappropriation in contemporary British drama = 'Upstart crows' /
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Indigenous creatures, native knowledges, and the arts = animal studies in modern worlds /
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The topos of music. = geometric logic, classification, harmony, counterpoint, motives, rhythm /. I,. Theory
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Creating performances for teaching and learning = a practice session for pedagogy /
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Performance for resilience = engaging youth on energy and climate through music, movement, and theatre /
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Theatricality and performativity = writings on texture from Plato's cave to urban activism /
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African youth languages = new media, performing arts and sociolinguistic development /
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Theaters of error = problems of performance in German and French enlightenment theater /
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Posthuman spiritualities in contemporary performance = politics, ecologies and perceptions /
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Embodying language in action = the artistry of process drama in second language education /
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The theatre of imagining = a cultural history of imagination in the mind and on the stage /
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Beckett, Deleuze and performance = a thousand failures and a thousand inventions /
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Shifting corporealities in contemporary performance = danger, im/mobility and politics /
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Performing music history = musicians speak first-hand about music history and performance /
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The reasonable audience = theatre etiquette, behaviour policing, and the live performance experience /
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Bernard Shaw, W. T. Stead, and the New Journalism = Whitechapel, Parnell, Titanic, and the Great War /
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Performing Policy = How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century /
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Imagining Shakespeare's Original Audience, 1660-2000 = Groundlings, Gallants, Grocers /
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Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
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Anthropology, Theatre, and Development = The Transformative Potential of Performance /
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Choreographing Problems = Expressive Concepts in Contemporary Dance and Performance /
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The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
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The Dancer's World, 1920 - 1945 = Modern Dancers and their Practices Reconsidered /
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Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
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Conjuring Science = A History of Scientific Entertainment and Stage Magic in Modern France /
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Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
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Language, Music, and Computing = First International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015, Revised Selected Papers /
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The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
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Ethno Identity Dance for Sex, Fun and Profit = Staging Popular Dances Around the World /
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Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
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Anti-War Theatre After Brecht = Dialectical Aesthetics in the Twenty-First Century /
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Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
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Reframing Immersive Theatre = The Politics and Pragmatics of Participatory Performance /
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History as Theatrical Metaphor = History, Myth and National Identities in Modern Scottish Drama /
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Die ästhetisch-narrativen Dimensionen des 3D-Films = Neue Perspektiven der Stereoskopie /
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The Theatre of Death – The Uncanny in Mimesis = Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor /
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The Self in Performance = Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre /
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Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
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Improvisieren = Material, Interaktion, Haltung und Musik aus soziologischer Perspektive /
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Embodying Language in Action = The Artistry of Process Drama in Second Language Education /
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Shifting Corporealities in Contemporary Performance = Danger, Im/mobility and Politics /
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Beckett, Deleuze and Performance = A Thousand Failures and A Thousand Inventions /
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Theatricality and Performativity = Writings on Texture from Plato’s Cave to Urban Activism /
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The Reasonable Audience = Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /
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Performing Music History = Musicians Speak First-Hand about Music History and Performance /
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Theaters of Error = Problems of Performance in German and French Enlightenment Theater /
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Creative Selves / Creative Cultures = Critical Autoethnography, Performance, and Pedagogy /
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Choreographing the Airport = Field Notes from the Transit Spaces of Global Mobility /
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African Youth Languages = New Media, Performing Arts and Sociolinguistic Development /
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Posthuman Spiritualities in Contemporary Performance = Politics, Ecologies and Perceptions /
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Thomas Hamblin and the Bowery Theatre = The New York Reign of "Blood and Thunder” Melodramas /
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Große Gesellschaft in kleiner Gruppe = Zum Eigensinn bürgerschaftlichen Engagements für Oper und Theater /
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The Theatre of Imagining = A Cultural History of Imagination in the Mind and on the Stage /
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Performing Dream Homes = Theater and the Spatial Politics of the Domestic Sphere /
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Translating across Sensory and Linguistic Borders = Intersemiotic Journeys between Media /
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Creative Measures of the Anthropocene = Art, Mobilities, and Participatory Geographies /
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Body and Event in Howard Barker's Drama = From Catastrophe to Anastrophe in The Castle and Other Plays /
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Polyrhythmicity in Language, Music and Society = Complex Time Relations in the Arts, Humanities and Social Sciences /
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Pop with Gods, Shakespeare, and AI = Popular Film, (Musical) Theatre, and TV Drama /
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Performances of Suffering in Latin American Migration = Heroes, Martyrs and Saints /
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Translated and Visiting Russian Theatre in Britain, 1945–2015 = A "Russia of the Theatrical Mind"? /
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Pragmatist Philosophy and Dance = Interdisciplinary Dance Research in the American South /
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