Fine arts.

Art, Ethics and the Human-Animal Relationship by: (Language materials, printed)

The Limits of Art = On Borderline Cases of Artworks and their Aesthetic Properties / by: (Language materials, printed)

The Art of Theoretical Biology by: (Language materials, printed)

Visualising Britain’s Holy Land in the Nineteenth Century by: (Language materials, printed)

Carl Einstein. Briefwechsel 1904–1940 by: (Language materials, printed)

The Illustrated History of the Elements = Earth, Water, Air, Fire / by: (Language materials, printed)

The Language of Images = The Forms and the Forces / by: (Language materials, printed)

The Artification of Luxury Fashion Brands = Synergies, Contaminations, and Hybridizations / by: (Language materials, printed)

Art, Religion and Resistance in (Post-)Communist Romania = Nostalgia for Paradise Lost / by: (Language materials, printed)

Defining Pre-Raphaelite Poetics by: (Language materials, printed)

18th and 19th Century Porcelain Analysis = A Forensic Provenancing Assessment / by: (Language materials, printed)

Art wealth management = managing private art collections / by: (Language materials, printed)

The Building Blocks of Digital Art Marketing : = A Market Analysis of the Digital Art Market and Its Application to Blockchain Technology. by: (Language materials, manuscript)

Wellbeing : = The Great Design. by: (Language materials, manuscript)

Painting the Persona. by: (Language materials, manuscript)

From Character to Characteristics. by: (Language materials, manuscript)

Avant l'Appetit : = An Augmented Reality Interactive Menu that Elevates the Gourmet Food Experience. by: (Language materials, manuscript)

Instigating a Revolution : = Lord & Taylor Advertisements 1945-1959. by: (Language materials, manuscript)

Conversational use of photographic images on Facebook: = Modeling visual thinking on social media. by: (Language materials, manuscript)

Broken Kingdom : = An Analysis of Cultural Shifts Amongst the Dine People Upon European Contact. by: (Language materials, manuscript)

Humanistic Vocal Pedagogy : = Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness. by: (Language materials, manuscript)

Materials at the Corcoran Contemporary An Exhibition Design Proposal Connecting Audience to Art through the Experience of Materials. by: (Language materials, manuscript)

Industries/ Influence Ceramics. by: (Language materials, manuscript)

Piece by Piece. by: (Language materials, manuscript)

Revealing the Connections between Life and Art : = Ceramic Artist Davis Shaner's Place in Ceramics History. by: (Language materials, manuscript)

High Touch. by: (Language materials, manuscript)

Exploring Sculpture Conservation in Seattle. by: (Language materials, manuscript)

Abnormality : = Formal Explorations in Adaptation and Mutation. by: (Language materials, manuscript)

A Childhood Memoir Under Construction. by: (Language materials, manuscript)

Indoor Garden. by: (Language materials, manuscript)

Inside and Outside. by: (Language materials, manuscript)

The gooey, the bloody, and just plain gross : = Exploring art and visual culture with an abject visual methodology. by: (Language materials, manuscript)

From Egg to Oil : = The Early Development of Oil Painting during the Quattrocento. by: (Language materials, manuscript)

Biometric Data Art : = Personalized Narratives and Multimodal Interaction. by: (Language materials, manuscript)

Industry and Academics. by: (Language materials, manuscript)

The Disruptive Impact of Game Design, Mobile Technology, Social Networks and Emerging Media on Theme Parks. by: (Language materials, manuscript)

Demand and supply : = College faculty's perceptions of computer aided design (CAD) and computer aided manufacture (CAM) in jewelry design and production. by: (Language materials, manuscript)

Winning New Freedom. Intersections of Text and Image in the Arts of Kurt Schwitters. by: (Language materials, manuscript)

Community Art Methods and Practices : = A Model for a More Human-Centered and Culturally Sensitive Historic Preservation Practice. by: (Language materials, manuscript)

Future Design Direction. by: (Language materials, manuscript)

INLAID BRONZES OF PRE-IMPERIAL CHINA : = A CLASSIC TRADITION AND ITS LATER REVIVALS (HISTORY, ARCHAEOLOGY). by: (Language materials, manuscript)

PIECES IN CONTEXT : = AN APPROACH TO THE STUDY OF CHINESE FURNITURE THROUGH AN ANALYSIS OF MING DYNASTY DOMESTIC HARDWOOD EXAMPLES IN KANSAS CITY. by: (Language materials, manuscript)

HSIEN-YU SHU'S CALLIGRAPHY AND HIS "ADMONITIONS" SCROLL OF 1299. (VOLUMES I-III) (CHINA). by: (Language materials, manuscript)

TUNHUANG CAVE 249 : = A REPRESENTATION OF THE VIMALAKIRTINIRDESA. (VOLUMES I AND II) (BUDDHIST, CHINA). by: (Language materials, manuscript)

Home Is Where the Morphine Is. by: (Language materials, manuscript)

Between Viewing and Experiencing. by: (Language materials, manuscript)

The Power of Belief : = Implementing Self-Efficacy in the Studio and the Classroom. by: (Language materials, manuscript)

On-Screen Marking and Digital Submission of Visual Arts Assessment. by: (Language materials, manuscript)

An exploratory study of Jungian art therapy with outpatients diagnosed with serious and persistent mental illness. by: (Language materials, manuscript)

The effects of technical and conceptual teaching methodologies on student outcomes in life drawing. by: (Language materials, manuscript)

Seeing and being seen : = Self-portraiture in art therapy. by: (Language materials, manuscript)

Painting Authenticity : = Intersections in the Lives and Art of Zhang Yu, Huang Gongwang, and Ni Zan. by: (Language materials, manuscript)

WANG MENG'S "PIEN MOUNTAINS": = THE LANDSCAPE OF EREMITISM IN LATER FOURTEENTH CENTURY CHINESE PAINTING. by: (Language materials, manuscript)

Machines for Living. by: (Language materials, manuscript)

How to Make It as a Maker : = Maximizing Customer Experience to Increase Brand Value in the Saturated Marketplace of Paper Goods & Gifts. by: (Language materials, manuscript)

Theories Impacting Art Foundations Course Descriptions in the United States. by: (Language materials, manuscript)

Art's Impact on the Design World : = How William Morris's Ideology Bridged the Gap from the Industrial Revolution to Art and Design Movements of the Early Twentieth Century. by: (Language materials, manuscript)

Performative Beings : = An Exploration of Gender Identity and Construction of Self(ves). by: (Language materials, manuscript)

Heat Transfer Mode for Flame and Burning Transmission Effects for Computer Graphics. by: (Language materials, manuscript)

The Fine Arts in Midwestern Community Colleges : = Six Case Studies Portraying a Cross-Case Analysis of Sustainability. by: (Language materials, manuscript)

Packaging Human Expresschon : = The Intersection of Visual Communication, Art, and Music. by: (Language materials, manuscript)

From Functionality to Aesthetics : = Palbo Picasso (1881-1973) and Peter Voulkos (1924-2002). by: (Language materials, manuscript)

Perceptions of Creative Arts Students to Accelerators and Barriers to Creativity, Innovation, and Their Relationship to Adult Learning Theory and Employability; a Qualitative Case Study. by: (Language materials, manuscript)

Perceptions of Adult Christian Creative Arts Practitioners in Leadership from NY, NJ, and PA about the Practice of Music, Art, and Dance in Cultivating Christian Spiritual Formation. by: (Language materials, manuscript)

The Silent Salesman a Visual Guide to Artisan Package Design. by: (Language materials, manuscript)

Visual Cartographic Explorations of a High School Art Room Assemblage. by: (Language materials, manuscript)

Machines of Curation. by: (Language materials, manuscript)

The Importance of Visual Effects in Film Narrative and Film Theory. by: (Language materials, manuscript)

Layout and Animation Development for the Animated Short Making Friends. by: (Language materials, manuscript)

Art, commerce, and social transformation : = Public art and the marketing of Philadelphia. by: (Language materials, manuscript)

The constitution of the arts as cultural production : = The role of the consumer, artist, and cultural intermediary as producer/consumer of meaning. by: (Language materials, manuscript)

Care and Preservation of Cultural Heritage : = Bridging the Fields of Conservation and Collections Management. by: (Language materials, manuscript)

Translation as Means to Invention. by: (Language materials, manuscript)

MONSTRO : = Artworks Inspired by the Disabled Experience. by: (Language materials, manuscript)

Effects Workflow and Asset Creation for Animation, Live-Action, and Virtual Reality. by: (Language materials, manuscript)

Work around Utopia. by: (Language materials, manuscript)

Digital Vivisection : = The Examination of Anima in the Human Figure when Digitized through 3D Scanning, 3D Printing, and Augmented Reality. by: (Language materials, manuscript)

Post Millennium Tension. by: (Language materials, manuscript)

Velleity. by: (Language materials, manuscript)

Artists' Book / The Kojiki or Records of Ancient Matters, -The Story of Ancient Japan-. by: (Language materials, manuscript)

Artifacts of Memory. by: (Language materials, manuscript)

Colorism : = Looking Outside the Brown Paper Bag. by: (Language materials, manuscript)

From Spectator to Participant : = Artist Commentary on Museum Experience. by: (Language materials, manuscript)

Text and Image : = Calligraphy in Contemporary Iranian Art. by: (Language materials, manuscript)

This Is Not a Painting : = Post Modernism and Painting : For the Humanity. by: (Language materials, manuscript)

Interactivity : = Creating Shared Experiences. by: (Language materials, manuscript)

Glance Gaze Look. by: (Language materials, manuscript)

The Restoration of the Beautiful Soul Construct in the Lives and Works of Six Visual Artists : = Wassily Kandinsky, Kathe Kollwitz, Jacob Lawrence, Mark Rothko, Vincent van Gogh, and Remedios Varo. by: (Language materials, manuscript)

This Is the Place I Never Wanted to Leave. by: (Language materials, manuscript)

Contemporary Arabic Calligraphy and Poetry as Geometry of True Morality. by: (Language materials, manuscript)

Gaze Relations : = Looking as Power. by: (Language materials, manuscript)

The Sickly Female Body in Edvard Munch's The Dance of Life (1899--1900). by: (Language materials, manuscript)

GET - Get Together, Get Along. by: (Language materials, manuscript)

Minimalist Paintings of Agnes Martin : = A Spiritual Experience Disguised as a Simple Grid. by: (Language materials, manuscript)

How a Successful Collecting Society Can Transform an Art Museum : = A History of the Georgia Welles Apollo Society at the Toledo Museum of Art. by: (Language materials, manuscript)

Daily Artefact : = A Record of Making and Maker. by: (Language materials, manuscript)

Hidden (Bad Women in a Slight Hysteric Tendency). by: (Language materials, manuscript)

A Syncretistic Theory of Depiction by: (Language materials, printed)

New Media in Black Women’s Autobiography = Intrepid Embodiment and Narrative Innovation / by: (Language materials, printed)

Storyboarding = A Critical History / by: (Language materials, printed)

The Recovery of Beauty: Arts, Culture, Medicine by: (Language materials, printed)

Hogarth’s Art of Animal Cruelty = Satire, Suffering and Pictorial Propaganda / by: (Language materials, printed)

The Age of Figurative Theo-humanism = The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) / by: (Language materials, printed)

Kleine Einführung in die Altertumswissenschaft by: (Language materials, printed)

Preservation, Radicalism, and the Avant-Garde Canon by: (Language materials, printed)

Art Wealth Management = Managing Private Art Collections / by: (Language materials, printed)

Hybrid Practices in Moving Image Design = Methods of Heritage and Digital Production in Motion Graphics / by: (Language materials, printed)

Cultures of Comics Work by: (Language materials, printed)

Discourse and Disjuncture between the Arts and Higher Education by: (Language materials, printed)

Latin American Neo-Baroque = Senses of Distortion / by: (Language materials, printed)

Days of Glory? = Imaging Military Recruitment and the French Revolution / by: (Language materials, printed)

Sammler und Museen = Kooperationsformen der Einbindung von privaten zeitgenössischen Kunstsammlungen in die deutsche Museumslandschaft / by: (Language materials, printed)

Einführung in die Bildhermeneutik = Methoden und Beispielanalysen / by: (Language materials, printed)

Psychology and Philosophy of Abstract Art = Neuro-aesthetics, Perception and Comprehension / by: (Language materials, printed)

Hand-Made Television = Stop-Frame Animation for Children in Britain, 1961-1974 / by: (Language materials, printed)

Representing Realists in Victorian Literature and Criticism by: (Language materials, printed)

Image and Text in Conceptual Art = Critical Operations in Context / by: (Language materials, printed)

Deconstructing Contemporary Chinese Art = Selected Critical Writings and Conversations, 2007-2014 / by: (Language materials, printed)

Robots and Art = Exploring an Unlikely Symbiosis / by: (Language materials, printed)

Critical Studies = Kultur- und Sozialtheorie im Kunstfeld / by: (Language materials, printed)

Displacing Caravaggio = Art, Media, and Humanitarian Visual Culture / by: (Language materials, printed)

Aesthetics and Politics = A Nordic Perspective on How Cultural Policy Negotiates the Agency of Music and Arts / by: (Language materials, printed)

Nantgarw and Swansea Porcelains = An Analytical Perspective / by: (Language materials, printed)

EurAsian Matters = China, Europe, and the Transcultural Object, 1600-1800 / by: (Language materials, printed)

The Occult in Modernist Art, Literature, and Cinema by: (Language materials, printed)

Precarious Imaginaries of Beirut = A City's Suspended Now / by: (Language materials, printed)

Marcel Duchamp’s Fountain = One Hundred Years Later / by: (Language materials, printed)

Kunsttheorie = Eine ideengeschichtliche Erkundung / by: (Language materials, printed)

Die Kunst der Innovationsgesellschaft = Kreative Interventionen als Suche nach Neuheit / by: (Language materials, printed)

Public Art and Urban Memorials in Berlin by: (Language materials, printed)

Polnische Kulturplakate im Sozialismus = Eine kunstsoziologische Untersuchung zur (Be-)Deutung des Werkes von Jan Lenica und Franciszek Starowieyski / by: (Language materials, printed)

The Mediatization of the Artist by: (Language materials, printed)

Further Adventures of the Celestial Sleuth = Using Astronomy to Solve More Mysteries in Art, History, and Literature / by: (Language materials, printed)

Cosplay and the Art of Play = Exploring Sub-Culture Through Art / by: (Language materials, printed)

Contemporary Art and Unforgetting in Colonial Landscapes = Islands of Empire / by: (Language materials, printed)

The Artist as Animal in Nineteenth-Century French Literature by: (Language materials, printed)

Beethoven-Bilder = Was Kunst- und Musikgeschichte (sich) zu erzählen haben / by: (Language materials, printed)

Connecting Arts and Place = Cultural Policy and American Cities / by: (Language materials, printed)

In Search of Marie-Antoinette in the 1930s = Stefan Zweig, Irving Thalberg, and Norma Shearer / by: (Language materials, printed)

Metzler Lexikon Kunstwissenschaft = Ideen, Methoden, Begriffe – Sonderausgabe / by: (Language materials, printed)

Re-imagining the Art School = Paragogy and Artistic Learning / by: (Language materials, printed)

Porcelain to Silica Bricks = The Extreme Ceramics of William Weston Young (1776-1847) / by: (Language materials, printed)

Sculpture, Sexuality and History = Encounters in Literature, Culture and the Arts from the Eighteenth Century to the Present / by: (Language materials, printed)

Translating across Sensory and Linguistic Borders = Intersemiotic Journeys between Media / by: (Language materials, printed)

Architecture and the Novel under the Italian Fascist Regime by: (Language materials, printed)

Intersections of Contemporary Art, Anthropology and Art History in South Asia = Decoding Visual Worlds / by: (Language materials, printed)

Females in the Frame = Women, Art, and Crime / by: (Language materials, printed)

Heritage Wood = Investigation and Conservation of Art on Wood / by: (Language materials, printed)

Metal Soaps in Art = Conservation and Research / by: (Language materials, printed)

Emotions and Gender in Byzantine Culture by: (Language materials, printed)

Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and Creativity by: (Language materials, printed)