Performing arts.
概要
| 作品: | 435 作品在 8 項出版品 8 種語言 | |
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書目資訊
Singing While Acting : = A Mixed Methods Study of Classical Singers' Application of the Chekhov and Meisner Acting Methods.
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Recontextualizing Diverse Vocal Traditions Using Extended Vocal Technique Notation and Symbology : = A Case Study Using Korean Pansori Singing Style.
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Fit! Fitness Instructional Technology : = Interventions and Innovations for Online Fitness Classes.
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From East to West : = Exploration of Chinese and Western Musical Traditions in Selected Piano Solo Works by Chen Yi.
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Alternative Choreographies : = Immersive Performance as a Decolonial Pedagogical and Performance Practice.
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A Performance Guide for Eight Selected Chinese Art Songs Based on Song Ci from the Song Dynasty.
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"Children Will Listen" : = An Exploration on Judaism, Motherhood, and Stereotype in Stephen Sondheim's Into the Woods.
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The Applied Theatre Artist and Youth Experiencing Incarceration : = A Look at Youth Agency.
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Trauma-Informed Applied Theatre : = Using Performance to Connect With Mental Dysfunction and Development for Children.
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Active Dramaturgy in the New Play Development Process, Or, What I Learned From Walter Mercado.
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Looking Back and Moving Forward : = from Baillot's L'art Du Violon to Boulez's Hyper-Violin.
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Reinventing the Politics of Literature : = Rediscovery, Ritual, and Reference as Concepts of Repetition in the Works of Peter Handke and Lee Yangji.
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Dicotomia : = Context, Aesthetic, and Performance of the Symphonic Works of Margarita Luna Garcia.
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Celebrating the Voices of Women Composers in the Selected Cello Compositions From the Nineteenth and Early Twentieth Centuries.
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Breathe, Dance, Sing : = Performing Arts Higher Education Through a Transdisciplinary Counter-Critical Pedagogy.
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Theatrical Role-Play : = A Study on Its Impact on Life Skills of Secondary Education Students.
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Designing and Composing for Interdependent Collaborative Performance with Physics-Based Virtual Instruments.
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Touching Light : = A Framework for the Facilitation of Music-Making in Mixed Reality.
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La La Land of Reality - A Dual Spatial Concept that Combines Illusion and Reality with Theatrical Therapeutic Experience.
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Clinical Artistry : = Creative Use of Digital Technologies in Systemic Psychotherapy Practice.
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Decision-Making Processes of Non-Music Major Undergraduate Students to Enroll in String Instrument and Orchestra Lessons.
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Analytic Frameworks for Music Livestreaming : = Liveness, Joint Attention, and the Dynamics of Participation.
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"New Music Ambassadors to the World" : = A Biography of the California E.A.R. Unit.
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The Effect of Pilates and Strength Training on Quality of Life and Pain in Musicians.
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Getting in on the Action : = Spectatorship at the Technologized Interface of Live Performance.
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Kaleidoscope : = Selected Modern Duos for Woodwinds and Piano by American Composers Between 1900-2000.
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Cracking the Code : = Teaching Piano Students the Art of Musical Interpretation, with Practical Applications for All Levels.
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Talking Back : = An Exploration of Negative Self-Talk in Undergraduate Voice Majors.
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This Place Is a Message : = A Case Study Examining the Role of Emotion, Storytelling, and Interactive Performance Art in Climate Change Communication.
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Playing With Shadows : = Tools for Interactive DMX Design in Max/MSP for Musical Composition.
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The Merrie Monarch Festival : = Hawaiian Cultural Survivance Through Hula Performance.
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Unconventional Wisdom in Resonating Echoes of the Past : = a Memoir on the Life and Music of Royal Hartigan.
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Chinese Female Representation on Short Video Applications and Their Perception : = Douyin (TikTok) as a Case Study.
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The Paradoxical Twenty-Fifth : = Performance, Race, and Conditional Belonging on the American Imperial Frontier, 1882-1918.
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The application of contemporary double bass left hand techniques applied in the orchestra repertoire.
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Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.
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Finding Messiaen's Blackbird : = An Investigative Analysis of Birdsong and Other Techniques Used in Le Merle Noir.
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Collective Embodiment and Communal Feeling : = A Critical Somatics Approach to Performance for Social Change.
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Listening to Music Educators in Sonora, Mexico While Challenging My Privilege : = An Autoethnographic Account.
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Professing performance : = theatre in the academy from philololgy to performativity /
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Onscreen Allusions to Shakespeare = International Films, Television, and Theatre /
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Restoring the Human Context to Literary and Performance Studies = Voices in Everything /
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Marjorie Barstow and the Alexander Technique = Critical Thinking in Performing Arts Pedagogy /
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STEM, Theatre Arts, and Interdisciplinary Integrative Learning = Bridging the Cultures /
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Performative Figures of Queer Masculinity = A Media History of Film and Cinema in Germany Until 1945 /
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Gendered Identity and the Lost Female = Hybridity as a Partial Experience in the Anglophone Caribbean Performances /
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Practice as Research in the Arts (and Beyond) = Principles, Processes, Contexts, Achievements /
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Polyrhythmicity in Language, Music and Society = Complex Time Relations in the Arts, Humanities and Social Sciences /
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Pop with Gods, Shakespeare, and AI = Popular Film, (Musical) Theatre, and TV Drama /
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Performances of Suffering in Latin American Migration = Heroes, Martyrs and Saints /
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Translated and Visiting Russian Theatre in Britain, 1945–2015 = A "Russia of the Theatrical Mind"? /
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Eugenics and Physical Culture Performance in the Progressive Era = Watch Whiteness Workout /
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Transnational Chinese Theatres = Intercultural Performance Networks in East Asia /
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Traditioneller Fortschritt = Das Stuttgarter Hoftheater, die elektrische Moderne und die Großstadt (1851-1912) /
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Performative Figuren queerer Männlichkeit = Eine Mediengeschichte von Film und Kino in Deutschland bis 1945 /
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The Comedy and Legacy of Music-Hall Women 1880-1920 = Brazen Impudence and Boisterous Vulgarity /
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Performing Welfare = Applied Theatre, Unemployment, and Economies of Participation /
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Intercultural Aesthetics in Traditional Chinese Theatre = From 1978 to the Present /
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What You See Is What You Hear = Creativity and Communication in Audiovisual Texts /
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Ubuntu as Dance Pedagogy in Uganda = Individuality, Community, and Inclusion in Teaching and Learning of Indigenous Dances /
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Die Entnazifizierung Richard Wagners = Die Programmhefte der Bayreuther Festspiele 1951-1976 /
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Digital Theatre = The Making and Meaning of Live Mediated Performance, US & UK 1990-2020 /
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Cyborg theatre = corporeal/technological intersections in multimedia performance /
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History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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Kinesthetic Empathy and Color : = The Impact of Lighting Design on Audience Connection.
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Strength in numbers : = Data-driven strategic marketing in mid-sized to large performing arts organizations.
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21st century choral performance practice : = Presenting the mash-up with practical applications.
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Humanistic Vocal Pedagogy : = Exploring a Voice Teacher's Scope of Practice through a Perspective of Wellness.
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Monstrous Erotics : = Poetics of Embodiment in Black Diasporic Women's Performance.
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Motivation Strategies for Improving Consistency in Live-Entertainment Employees' Performances.
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Design as an Accompaniment to Performance Art : = Incorporating Imagery to Amplify Emotional Impact.
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Queering the Body : = Cross-Dressing Performance and Identity Politics in Cantonese Opera of Post-1950s Hong Kong.
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Young Adults and Nonprofit Arts and Culture Organizations : = A Generational Change Analysis.
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Create a One-Person, Integrated, DJ/Projection Mapping/Live Performance Environment.
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Collaborative crossover : = Identifying classical vocal collaborative piano practices in jazz vocal accompanying.
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The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
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Performing Policy = How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century /
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Imagining Shakespeare's Original Audience, 1660-2000 = Groundlings, Gallants, Grocers /
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Samuel Beckett's Theatre in America = The Legacy of Alan Schneider as Beckett's American Director /
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Anthropology, Theatre, and Development = The Transformative Potential of Performance /
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Choreographing Problems = Expressive Concepts in Contemporary Dance and Performance /
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The Performing Subject in the Space of Technology = Through the Virtual, Towards the Real /
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The Dancer's World, 1920 - 1945 = Modern Dancers and their Practices Reconsidered /
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Irish Theatre in Transition = From the Late Nineteenth to the Early Twenty-First Century /
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Conjuring Science = A History of Scientific Entertainment and Stage Magic in Modern France /
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Adorno and Modern Theatre = The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane /
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The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio = From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory /
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Language, Music, and Computing = First International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015, Revised Selected Papers /
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Ethno Identity Dance for Sex, Fun and Profit = Staging Popular Dances Around the World /
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Contemporary Japanese Women’s Theatre and Visual Arts = Performing Girls’ Aesthetics /
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Anti-War Theatre After Brecht = Dialectical Aesthetics in the Twenty-First Century /
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Queer Dramaturgies = International Perspectives on Where Performance Leads Queer /
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Reframing Immersive Theatre = The Politics and Pragmatics of Participatory Performance /
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History as Theatrical Metaphor = History, Myth and National Identities in Modern Scottish Drama /
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Die ästhetisch-narrativen Dimensionen des 3D-Films = Neue Perspektiven der Stereoskopie /
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The Theatre of Death – The Uncanny in Mimesis = Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor /
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The Self in Performance = Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre /
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Women, Collective Creation, and Devised Performance = The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries /
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Improvisieren = Material, Interaktion, Haltung und Musik aus soziologischer Perspektive /
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Embodying Language in Action = The Artistry of Process Drama in Second Language Education /
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Shifting Corporealities in Contemporary Performance = Danger, Im/mobility and Politics /
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Beckett, Deleuze and Performance = A Thousand Failures and A Thousand Inventions /
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Theatricality and Performativity = Writings on Texture from Plato’s Cave to Urban Activism /
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The Reasonable Audience = Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /
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Performing Music History = Musicians Speak First-Hand about Music History and Performance /
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Theaters of Error = Problems of Performance in German and French Enlightenment Theater /
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Creative Selves / Creative Cultures = Critical Autoethnography, Performance, and Pedagogy /
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Choreographing the Airport = Field Notes from the Transit Spaces of Global Mobility /
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African Youth Languages = New Media, Performing Arts and Sociolinguistic Development /
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Posthuman Spiritualities in Contemporary Performance = Politics, Ecologies and Perceptions /
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Thomas Hamblin and the Bowery Theatre = The New York Reign of "Blood and Thunder” Melodramas /
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Große Gesellschaft in kleiner Gruppe = Zum Eigensinn bürgerschaftlichen Engagements für Oper und Theater /
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The Theatre of Imagining = A Cultural History of Imagination in the Mind and on the Stage /
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Performing Dream Homes = Theater and the Spatial Politics of the Domestic Sphere /
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Translating across Sensory and Linguistic Borders = Intersemiotic Journeys between Media /
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Creative Measures of the Anthropocene = Art, Mobilities, and Participatory Geographies /
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Body and Event in Howard Barker's Drama = From Catastrophe to Anastrophe in The Castle and Other Plays /
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Pragmatist Philosophy and Dance = Interdisciplinary Dance Research in the American South /
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